Here You Come Again is a moving celebration of life, using Dolly Parton’s music to uplift and inspire
This brand-new musical comedy, directed by Gabriel Barre and performed at the Edinburgh Playhouse, is a high-octane, charming theatrical event that encourages everyone to embrace their true selves rather than settling for second best. Paul Wills’ incredible set design transports you to Kevin’s childhood attic bedroom, filled with Dolly Parton memorabilia.
Parton, Kevin’s gay icon, serves as a guiding light through his trials: moving from the bustle of London back to his parents’ home, navigating COVID-19 hygiene measures, and dealing with a breakup from his ex-boyfriend Jez. The cozy cabin aesthetic, along with the claustrophobic yet affectionate atmosphere created by his parents’ hovering and nutrient-packed smoothies, takes the audience back to their own childhoods and the life-altering context of COVID-19 in which the musical is set.
This time setting is perfect, as many of us found ourselves examining our lives and relationships during the pandemic, questioning whether we were living authentically or merely to maintain the status quo. Steven Webb brilliantly portrays Kevin, the musical’s protagonist, with a quirky, endearing, and relatable performance. At nearly 40, Kevin is at a standstill both romantically and career-wise. Webb’s upbeat energy and charisma charge the entire room. As Kevin delves deeper into his problems, the audience is prompted to reflect on their own issues, hopes, and aspirations.
Tricia Paoluccio’s portrayal of Dolly Parton is nothing short of spellbinding. It’s not an imitation but an effortless embodiment of Parton in all her Southern glory. Paoluccio’s powerful yet soothing vocals, mannerisms, and body language are uncanny, moving the audience to tears. Standout musical numbers include “Why’d You Come In Here Lookin’ Like That,” featuring Lizzie Gee’s vibrant choreography and Webb’s high-energy lip-sync performance in stunning drag. “Love is Like a Butterfly” serves as a gentle reminder of the importance of self-care, while “God’s Coloring Book” is a tear inducing expression of gratitude for life’s beauty. Classic hits like “Jolene” and “9 to 5” are equally stunning, creating a sea of connection in the audience that can’t be replicated in digital theatre. Paul Will’s costume design brings Hollywood glamour to Kevin’s mundane life, perfectly complementing Paoluccio’s vocal magic. The small cast, including Aidan
Cutler and Charlotte Elisabeth Yorke in multiple roles, creates an intimate exchange between performers and audience, echoing the isolation felt during the pandemic. The band, directed by keyboardist Jordan Li-Smith, brings Parton’s music to life, transforming the stage into a soul-fueled sanctuary. Writers Bruce Vilanch, Gabriel Barre, and Tricia Paoluccio seamlessly weave Parton’s music through the plot, creating relatable parallels to the audience’s pandemic experiences. The script balances nuanced honesty with lighthearted comedy, providing much-needed entertainment alongside its powerful message. In conclusion, Gabriel Barre’s Here You Come Again brings the glitz and glamour of Dolly Parton’s legendary legacy to the Edinburgh Playhouse while profoundly touching the audience. This dazzling production will leave you devoted not only to Dolly Parton but also to your authentic self, inspiring you to live life to the fullest.

