A Vibrant Exploration of ADHD
Written and performed by Philippa Dawson, Character Flaw is a colourful explosion of humour and insight into the world of ADHD and queer identity. Directed by Nat Kennedy, with voice contributions from Charly Clive as Jean and Helen Colby as the train announcer, this one-woman show tackles themes of neurodivergence, sexuality, and mental health with both sensitivity and wit.
From the moment Pip rushes onto the stage—purposefully late for effect after the drumroll—the audience is plunged into the frantic, often misunderstood world of ADHD. This clever entrance sets the tone for a down-to-Earth performance that’s as educational as it is entertaining. Dawson’s stage presence is magnetic; her quirky, expressive, and vulnerable portrayal invites the audience into her struggles with self-esteem and emotional regulation.
A lot of Character Flaw cleverly takes places in train stations which are obviously busy and overwhelming environments. This serves as a perfect physical and metaphorical setting for the crowded, overstimulating experiences that many with ADHD face daily. The stress-inducing sound design including announcements of delayed trains, lost tickets, and the general chaos of public transport is effective and amplifies Pip’s experiences, making them relatable even to neurotypical audience members.
Throughout the performance, Dawson refers to an imposing and weighty ADHD dictionary, using the prop to educate the audience with facts, figures, and definitions. Jean, the personification of Dawson’s ADHD and interrupting thoughts, adds layers of humour, frustration, and clarity to the narrative. This utilisation effectively illustrates what it’s like to be in her head, showcasing instances where her mind jumps erratically, blocks out information, or leads her to dissociate during serious conversations. Through Jean, the audience gains insight into the constant internal dialogue and distractions that characterize the ADHD experience.
One of the most poignant aspects of Character Flaw is its exploration of the isolation and rejection that can come with ADHD. Pip’s admission of running away from people due to mental and physical exhaustion from constant apologies is deeply moving. It reveals the hidden struggles behind her bubbly exterior and highlights the challenges faced in friendships, relationships, work, and financial matters within neurotypical systems.
The show’s commitment to inclusivity extends beyond its content. The relaxed performance I attended provided earplugs and loosened rules for attendees, demonstrating a progressive approach to theatre accessibility.
Character Flaw is not just a show; it’s an experience that educates, moves, and thoroughly entertains. Through hysterical anecdotes (like losing a passport twice on the same trip) and eye-opening discussions, Dawson navigates the challenges and celebrates the joys of neurodiversity. This performance is a must-see for anyone looking to understand ADHD better or simply enjoy an afternoon of thought-provoking and laugh-out-loud theatre.