We sit down for a conversation with Leyla Nazli, co-founder of Arcola who has written the adaptation of Women Who Blow on Knots for the stage.
Women Who Blow on Knots is a ‘powerful tale of freedom, resilience, and unbreakable female friendships.’ How does this tale unfold?
The story follows four women from different backgrounds who embark on a journey across North Africa and the Middle East, searching for freedom and a place to call home. Along the way, they confront not only external challenges but dynamics between each other, and also their own fears and uncertainties. Through their experiences, the play explores themes of displacement, solidarity, and the power of female friendship.
Why did Arcola decide to adapt and stage this novel?
The novel fits perfectly with Arcola’s mission to tell international stories, and a passion for tackling issues around migration and identity. The themes of searching for belonging, of crossing borders, are incredibly relevant to today’s world. We wanted to give this powerful story the platform it deserves and share its message with a UK audience, especially as it sheds light on the often-overlooked experiences of women during times of political upheaval.
This is your first adaptation. How did you approach the challenge? What have you learnt?
This being my first adaptation, I approached it with both excitement and caution. It requires a deep respect for the original material but also the willingness to transform it for the stage and the inevitable requirement to select what elements of the book should feature on stage, as it’s impossible to keep everything. It’s been a rewarding experience, and I’ve learned so much about how to retain the heart of a story while navigating the constraints and possibilities of theatre.
The production introduces Turkish director Lerzan Pamir for her British stage debut. Have you worked with her before and why was she right for this production?
This is my first time working with Lerzan, however she has worked with our Artistic Director Mehmet Ergen several times before and is a prominent director in Turkiye. We knew that she would bring a unique perspective and understanding to this production. Her familiarity with the region and her deep knowledge of the themes in the story made her the perfect fit. Lerzan’s approach to directing is both sensitive and powerful, and I think she’s brought out the best in this story for our audiences.
What’s your favourite moment in the play?
One of my favourite moments is when the women, after a long and challenging part of their journey, come together in a moment of quiet reflection. It’s a powerful scene where they recognise their strength and solidarity, despite everything they’ve been through. It’s a reminder that, no matter how difficult the journey, there’s strength in unity and they don’t forget celebrating it with a dance.
Who should see this play?
Anyone who is interested in stories of resilience, empowerment, and solidarity should see this play. It’s especially relevant to those who want to understand more about the migrant experience, about women’s roles in political change, and about the deep bonds of female friendship. But ultimately, it’s a story that speaks to anyone who has ever searched for a place to call home.
The production will run at Arcola Theatre from 25 October – 23 November.
http://www.arcolatheatre.com