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REVIEW: Rosalie Minnitt’s Clementine


Rating: 3 out of 5.

A whirlwind of interactive chaos, abstract comedy, and pop culture nods


The show launched straight into audience interaction, and for the first ten minutes, I found myself feeling a little on edge especially as I was attending alone. Clementine called on audience members throughout the show which left me feeling a nervous anticipation, unsure of what might happen next. However, as the story started to take shape, I settled into the show (helped by the relief of being seated at the end of a row, making me a less likely target!)

Rosalie Minnitt has an undeniable stage presence and impeccable wit, commanding the room with confidence and charm. She has the kind of energy that makes you feel like she would be the funniest person in any friendship group, always ready with a perfectly timed joke. Her ability to bounce off the audience and adapt to their reactions was a highlight of the show. The audience members brought on stage embraced the chaos, and their interactions with Clementine led to some of the best moments of the night.
The show was completely chaotic, moving rapidly from one thought to another. At times, this was utterly hysterical, but at other moments, it felt overwhelming, leaving me struggling to keep up. Some jokes landed perfectly, while others felt like they got lost in the whirlwind of rapid-fire storytelling.

A projector was used in the show, which at times was difficult to read due to being projected onto a curtain, meaning some jokes lost their impact. Pop culture references were scattered throughout the show, from Celebrity Big Brother’s “David is dead” to Love Actually’s “I look quite pretty”, and while some went over my head, others had me laughing out loud.

Despite some very funny moments, the concept of the show felt a little abstract for me. It thrived on unpredictability, which made for some brilliantly offbeat moments but also meant that the pacing sometimes felt erratic.

Overall, Clementine is a bold, eccentric character comedy filled with clever references, interactive chaos, and a leading performer who is undeniably talented. While it didn’t entirely click for me, it’s clear that many in the audience were fully on board, and for those who enjoy absurd, high energy comedy, this will be a hit.

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