A visually inventive experience that pays homage to Hitchcock’s original work whilst carving its own unique identity
Alfred Hitchcock’s 1959 cinematic masterpiece North by Northwest is no easy feat to adapt for stage. Known for its sharp dialogue, iconic set-pieces, and inimitable shots, it demands ingenuity and confidence to reimagine it in a theatre. Yet this production at the Everyman and Playhouse, directed by Emma Rice, rises admirably to the challenge, leaning into theatricality, playfulness, and a warm dash of camp to deliver an entertaining, tightly choreographed homage.
From the outset, the stage design captivates with a long row of suitcases and suits, ingeniously utilised throughout the play to demonstrate the places and people we meet along the journey. Elegant wooden structures resembling revolving doors are adorned with bottles of various coloured elixirs and martini glasses, evoking the ambiance of a vintage bar. At centre stage, a spotlighted suitcase emblazoned with “North by Northwest” sets the tone, while the subtle use of a smoke machine immerses the audience in a nostalgic atmosphere.
The performance opens with a choreographed sequence featuring six dancing spies, establishing a central motif that recurs throughout the production. This lively introduction immediately engages the audience, signaling the show’s playful and dynamic approach.
Serving as both guide and performer, Katy Owen shines in the role of the Proffesor. Her engaging presence and witty commentary, including the apt warning, “You’re going to have to be on the ball if you want to keep up with this roller-coaster,” effectively bridge the audience and the unfolding narrative. Owen’s ability to break the fourth wall invites viewers into the play’s campy and theatrical world, enhancing the overall experience.
Ewan Wardrop delivers a compelling performance as Roger Thornhill, capturing the essence of the character without resorting to mimicry of Cary Grant’s iconic portrayal. His interpretation brings a fresh perspective, grounding the production with a consistent and relatable presence. While Wardrop focuses solely on Thornhill, the rest of the ensemble, including Mirabelle Gremaud (Anna), Patrycja Kujawska (Eva Kendall), Simon Oskarsson (Valerian), and Karl Queensborough (Philip Vandamm), adeptly navigate multiple roles, showcasing their versatility and contributing to the play’s dynamic energy.
Simon Oskarsson’s performance as Valerian is particularly striking for its physicality and flair. He shines brightest in his expressive dance and lip-syncing sequences, which add both a flamboyance and depth to the character. These moments burst with charisma and polish, showcasing his control over gesture and rhythm in a way that feels both deliberate and effortlessly entertaining. That said, in scenes shared with Mirabelle Gremaud’s Anna the connection at times falters. Whether due to slight timing issues or a lack of emotional tension, there are instances where their onstage chemistry feels just out of step, lacking the spark or unity needed to make their dynamic fully convincing as the duo they are meant to be.
The true star of the production is the innovative set design by Rob Howell. The creative use of props, especially the versatile broadsheet newspaper, demonstrates the production’s ingenuity in transforming simple items into multifaceted elements of storytelling. This imaginative approach underscores the play’s commitment to theatricality over cinematic replication.
While the conclusion feels somewhat half baked, it does not detract from the overall enjoyment of the performance. The adaptation embraces the strengths of live theatre, offering a fast-paced, humorous, and visually inventive experience that pays homage to Hitchcock’s original work while carving its own unique identity.
You can catch this production of North by Northwest on its current tour at:
Liverpool Playhouse between 20th – 24th May
Theatre Royal Bath between 27th – 31st May
Everyman Theatre – Cheltenham between 3rd – 7th June
Alexandra Palace Theatre between 11th – 22nd June

