A powerful, ceilidh-charged celebration of Scottish history
There’s something really special about a show that feels completely rooted in where it comes from, and Flora absolutely does. Performing at the Pavilion Theatre in Glasgow, this new musical doesn’t just tell a story, it celebrates Scottish heritage in a way that feels fresh, alive, and genuinely exciting. From the moment it begins, there’s a real sense of energy and purpose that carries right through to the final moments.
Written by Belle Jones and directed by Stasi Schaeffer, the production feels clear in its vision and confident in its storytelling. Most people know Flora MacDonald for helping Bonnie Prince Charlie escape, but this show goes much further than that. The first act gives us the story we recognise, while the second act digs deeper into what came next, showing the reality of her life beyond the legend. It adds real depth and makes the story feel far more complete.
The decision to split Flora into two (Junior and Senior) is such a strong creative choice. Karen Fishwick brings energy and determination to Flora Junior, while Annie Grace gives a more grounded, reflective performance as Flora Senior. There’s a real sense of contrast between them, but it works beautifully and helps show the full journey of the character.
The wider cast are just as impressive, particularly in how they move between acting and playing instruments throughout the show. It’s a demanding setup, which adds to the energy and creates a strong ensemble feel. A special mention has to go to Lana Pheutan as Annabelle/Lady Sleat, who brings a real presence to the stage and stands out in every scene she’s in.
Musically, the show is a real highlight. With music by AJ Robertson and John Kielty, the score blends traditional Scottish influences with a modern edge, creating something that feels both authentic and accessible. The live music element adds so much, especially with the cast being so involved in creating the sound on stage. There are also moments of rhythmic, almost spoken storytelling that give it a contemporary feel without losing its identity. The use of Gaelic alongside English adds another layer and strengthens that connection to Scottish culture.
Visually, the production is simple but very effective. The costumes, overseen by Head of Wardrobe Jenny Lööf, feel authentic to the period while still allowing the performers to move freely between scenes and musical numbers. Everything has been curated to serves the story.
Benny Goodman’s lighting design also plays an important role in shaping the atmosphere. It shifts smoothly between the more intimate moments and the larger ensemble scenes, helping guide the audience through the story. At times it creates a real warmth, especially during the more communal, ceilidh-style sequences, and at others it sharpens the focus for the more serious moments.
What really stands out is how well everything comes together. The performances, music, and staging all feel connected, creating a show that’s easy to get lost in. There are moments where it genuinely feels like you’re part of the experience rather than just watching it.
The tone is well balanced throughout. There’s humour and lighter moments, but they sit comfortably alongside the more serious themes of war, survival, and identity. It never feels too heavy, but it also doesn’t shy away from the reality of Flora’s story.
By the end, it’s hard not to feel completely swept up in it. Flora manages to be both entertaining and meaningful, which isn’t always easy to get right. It feels like a show that knows exactly what it wants to say and delivers it with confidence.
This is more than just a musical, it’s a celebration of culture, storytelling, and identity. If you get the chance to see it, don’t hesitate. It really is something really special.