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REVIEW: Conteh
Conteh at Liverpool’s Royal Court was a thoroughly engaging production, based on the life of…
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REVIEW: Uptown Girl
After what was an evening of overall mixed emotions regarding this act, Uptown Girl: The…
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REVIEW: La Linea: Lia Kali
There are gigs that feel like a good night out, and then there are nights…
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REVIEW: The Sequel
In The Sequel, written by Lucas Closs and directed by Imy Wyatt Corner, a successful…
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REVIEW: He Said/She Said
Why do people kill? Blending elements of pent up rage, opportunistic objects, and self-defense to…
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REVIEW: Dear Cathy
Dear Cathy is an emotionally layered one-woman play about infertility, grief and the strain these…
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FEATURES
IN CONVERSATION WITH: Alex Stroming and Jessica Potts
We sat down for an exclusive interview with Alex Stroming and Jessica Potts, Director and Assistant Director of Selina Fillinger’s ‘Something Clean’, an intimate, unexpected…
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REVIEW: Between The River and The Sea
Part of the Royal Court’s 70th anniversary season, Between The River and The Sea continues the trend of bold programming from artistic director David Byrne. The controversial…
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IN CONVERSATION WITH: Elliot Cowan
We sat down for an exclusive interview with Elliot Cowan, who is playing Victor Franz in ‘The Price’.
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IN CONVERSATION WITH: Sammy Moore
We sat down for an exclusive interview with Sammy Moore about his show Derrière on a G String by Some Smith & Moore coming to…
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IN CONVERSATION WITH: Kenneth Butler
We sat down for an exclusive interview with Kenneth Butler, performer of Asante in ‘The Last Black Messiah’.
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IN CONVERSATION WITH: Jonathan Reed
Following its debut in 2009 at the Royal Court, Jerusalem has been hailed by critics as “the greatest British play of the century” and is…
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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