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REVIEW: Ronnie Scott’s Classical All Stars Cinematic Sounds
Review of Ronnie Scott’s Classical All Stars present Cinematic Sounds, Part One, is an experience…
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REVIEW: Hidden
Hidden, created by Motionhouse and Kevin Finnan MBE, is a masterpiece of a performance from…
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REVIEW: Solem Quartet & Alice Zawadzki: Different Trains
There is a certain might in music, the way it fills the space, that elusive…
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REVIEW: Naughty Swedish Girl Destroyed
The feminist solo performance Naughty Swedish Girl Destroyed, written and performed by Emma Sandborgh, is an…
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REVIEW: Hung Dance’s Push and Pull
finely controlled Push and Pull by Taiwanese choreographer Lai Hung-chung is a piece intends to explore…
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REVIEW: Saxophone Dreams with Jess Gillam
Saxophone Dreams as part of the Scottish Chamber Orchestra’s New Dimensions concert series was…
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FEATURES

REVIEW: House Seats with Henry Patterson
At Crazy Coqs, House Seats with Henry Patterson offers an intimate and honest evening of conversation and performance, as Henry Patterson sits down with West…
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IN CONVERSATION WITH: Farine Clarke
We sat down for an exclusive interview with Farine Clarke, GP turned playwright and writer of Heartsink, which plays at Riverside Studios from 21 April -…
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IN CONVERSATION WITH: Alexander Whitley
We sat down for an exclusive interview with Alexander Whitley about Alexander Whitley Dance Company’s new double bill The Rite of Spring / Mirror.
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FEATURE: 2026 Royal Philharmonic Society Awards
The Royal Philharmonic Society Awards is a culmination of the year’s classical music talents, ranging from single performers, large-scale compositions and everything in between.
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REVIEW: Woman In Mind
Alan Ayckbourn’s 1985 darkly comic exploration of mental illness, family life and suburban frustrations still grips audiences forty years on. The show is currently on…
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REVIEW: The Importance of Being Earnest
The paradigm of Wildean comedy, “The Importance of Being Earnest”, By Oscar Wilde, is “a trivial play for serious people”. The play follows characters, richly…
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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