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REVIEW: Waiting for Godot
Set on a stark stage in the newly renovated Citizens Theatre in Glasgow, Dominic Hill’s…
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REVIEW: Gannet
Described as a black comedy “for anyone who has ever struggled to fit in”,…
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REVIEW: Here & Now – The Steps Musical
Get your party on with HERE AND NOW, the hilarious, brand-new musical based on the…
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REVIEW: Siblings: Dreamweavers
After a sell-out Edinburgh Fringe, award-winning character comedians and IRL Sisters, Maddy and Marina Bye…
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REVIEW: The Opposite of Distance
As soon as the performers in The Opposite Of Distance at Playhouse Easthad taken their final bows,…
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REVIEW: Swans Are F****** Arseholes
Swans Are F****** Arseholes at the Canal Cafe Theatre, directed by Freja Gift, begins with a…
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FEATURES
IN CONVERSATION WITH: Divine Tasinda
We sat down for an exclusive interview with Divine Tasinda, one of the performers, artistic directors and choreographers, and costume designers and makers of World’s…
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IN CONVERSATION WITH: Louisa Marshall & Amber Charlie Conroy
We sat down for an exclusive interview with Louisa Marshall & Amber Charlie Conroy, writers of Clean Slate. A darkly funny, uniquely immersive solo show…
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REVIEW: Lambslaughter
ambslaughter is a dark comedy-drama set in a Catholic girls’ school in Merseyside in 2013. The play follows two sixth-formers, Chloe and Jade, and their…
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REVIEW: Dracula
Tatty Hennessy, writer of the UK Theatre Award-winning and Olivier Award-nominated adaptation of Animal Farm, retells the classic horror story Dracula in a world premiere…
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IN CONVERSATION WITH: Gary Abrahams
We sat down for an exclusive interview with Gary Abrahams, co-writer and producer of Yentl, a bold new adaptation of Isaac Bashevis Singer’s story from Kadimah…
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REVIEW: Operation Mincemeat
REVIEW: Operation Mincemeat
After Olivier and Tony success, Operation Mincemeat begins its world tour back where it all began at The Lowry.
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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