REVIEW: The Steamie
Reading Time: 3 minutesWarm, hilarious and bursting with Glasgow heart, The Steamie proves exactly why it remains one of Scotland’s best-loved plays. There is something incredibly special about…
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REVIEW: Dolly
Reading Time: 3 minutes
There is a long tradition of comedy being used as a shield, and Charlotte Ashton’s debut play Dolly examines what happens when that shield is…
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REVIEW: Resonance Orchestra
Reading Time: 2 minutes
There’s something quite exciting about sitting in a room and realizing you’re watching people at the beginning of their journey. Resonance Orchestra’s concert at Duke’s…
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REVIEW: Manchester Hypes: The Treatment
Reading Time: 3 minutes
Music can be a way of expressing things that are difficult to put into everyday conversation, and for Manchester grime artist Hypes, it has played…
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REVIEW: Matilda in Concert
Reading Time: 2 minutes
Matilda celebrated its 30th anniversary with a special event bringing together legendary director, producer and Harry Wormwood himself, Danny DeVito, alongside composer and conductor David…
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REVIEW: RAT RAT RAT
Reading Time: 2 minutesA promising experiment Three human-sized rats are attending an institution. A junior is under the guidance of two senior rats, learning a variety of subjects,…
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FEATURE: Tristan & Yseult
Reading Time: 3 minutes
Appearing in numerous variations since the 12th century, Tristan and Yseult is as classic as love stories get. The medieval legend tells of Cornish knight…
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IN CONVERSATION WITH: Emanual Gat
Reading Time: 3 minutesNext month, Sadler’s presents the UK premiere of a new work Five Days in the Sun (3 Nov) set to Mahler’s Symphony No. 5, which actually marks its 125th anniversary this year.…
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IN CONVERSATION WITH: Jacob O’Connor
Reading Time: 3 minutes
We sat down for an exclusive interview with Jacob O’Connor to discuss his dark comedy debut play ‘Act of God.’
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IN CONVERSATION WITH: Julia Robert and Rudi Cole
Reading Time: 4 minutes
Returning after their sell-out hit ∞ {Infinite} in 2025, Vortex is performed by the international powerhouse HUMANHOOD, where the stage becomes the ‘eye of the tornado.’
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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