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REVIEW: Highgate Vampire
The latest work from award-winning theatre collective Bag of Beard Theatre, The Highgate Vampire is…
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REVIEW: Ockham’s Razor Collaborator
Collaborator at The Place is one of those rare shows that wins you over not…
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REVIEW: The Guardians of Living Matter
Lowry’s Developed With programme supports another artist’s ambitious new work to develop The Guardians of…
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REVIEW: The Tempest at the Globe
Tim Crouch’s brave new adaptation of The Tempest is a delightfully confusing production, sure to…
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REVIEW: Vibrance at Guildhall
With an intricate blend of sonic and visual elements, Vibrance successfully redefines the architectural lines of The…
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REVIEW: Absence of Youth at Golden Goose Theatre
An interesting premise – with sadly, an absence of anything new to say Absence of…
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FEATURES
FEATURE: One For The Boys Presents Love Life: West End Unites Against Cancer
There is a unique kind of electricity that fills a theatre when the curtain rises not just for entertainment, but for a mission. This past…
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FEATURE: Re-reading The Handmaiden’s Love, Performance, and the Politics of Adaptation
Selected by Emerald Fennell as part of her Love Stories programme at BFI IMAX, Park Chan-wook’s The Handmaiden arrives already framed as an exemplary but…
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IN CONVERSATION WITH: Kevin Edward Turner
We sat down for an exclusive interview with Kevin Edward Turner, MBE, artistic director, Company Chameleon. Obscura is a dance double bill from Manchester’s Company…
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IN CONVERSATION WITH: SIBLINGS
We sat down for an exclusive interview with award-winning comedy duo (and IRL sisters), SIBLINGS, who are taking their sold-out Edinburgh Fringe show on tour across the UK with…
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IN CONVERSATION WITH: Joshua Ballance
We sat down for an exclusive interview with Joshua Ballance, who is the conductor and founder of Mad Song, a British contemporary-music ensemble.
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IN CONVERSATION WITH: Lottie Walker
We sat down for an exclusive interview with actor Lottie Walker who stars as PL Travers in Clare Norburns’ Practically Imperfect – a new surreal…
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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