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REVIEW: Scots – The Musical
A show filled with laughter, songs and more than a few wee facts, Scots-The Musical…
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REVIEW: Lady
Lady, directed by Sam Abrahams, is a mockumentary that blends satire, surrealism and character-driven storytelling…
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REVIEW:Chamber Music Festival: Sunday Afternoon Concert – Pärt, Mozart, Bridge and Vierne
For one weekend only, the Guildhall School presents a music festival featuring student-professor collaborations showcasing…
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REVIEW: Horrible Histories LIVE (AND DEAD)! – The Concert
Based, of course, on history but also the original works by Terry Deary, Horrible Histories…
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REVIEW: Anthracite Fields
Julia Wolfe’s Pulitzer Prize-winning oratorio came to Manchester this weekend and did not disappoint. Anthracite…
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REVIEW: Education, Education, Education
A lively and thought-provoking exploration of education, brought to life through energetic performances and contemporary…
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FEATURES
IN CONVERSATION WITH: Stasi Schaffer
Glasgow theatre and opera director Stasi Schaffer works internationally across new writing, musicals and opera, spanning both contemporary work and the established repertoire.
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IN CONVERSATION WITH: Alexandrina Hemsley
We sat down for an exclusive interview with Alexandrina Hemsley about her new show, Many Lifetimes, at Sadlers Wells.
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REVIEW: House Seats with Henry Patterson
At Crazy Coqs, House Seats with Henry Patterson offers an intimate and honest evening of conversation and performance, as Henry Patterson sits down with West…
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IN CONVERSATION WITH: Farine Clarke
We sat down for an exclusive interview with Farine Clarke, GP turned playwright and writer of Heartsink, which plays at Riverside Studios from 21 April -…
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IN CONVERSATION WITH: Alexander Whitley
We sat down for an exclusive interview with Alexander Whitley about Alexander Whitley Dance Company’s new double bill The Rite of Spring / Mirror.
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FEATURE: 2026 Royal Philharmonic Society Awards
The Royal Philharmonic Society Awards is a culmination of the year’s classical music talents, ranging from single performers, large-scale compositions and everything in between.
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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