

REVIEW: Death Cab for Cutie – Edinburgh Corn Exchange
Reading Time: 3 minutes
American indie band Death Cab for Cutie are on tour once more, supporting their 2026 album I Built You a Tower.
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REVIEW: Jah Making It Happen
Reading Time: 3 minutes
Jah Making It Happen brought a heartfelt story of family, ambition and the Windrush generation to the Oxford Playhouse, combining moments of genuine emotion with…
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REVIEW: SIX The Musical
Reading Time: 3 minutes
Every few years, a show arrives that shakes things up. It changes the game, elevates the theatre scene and enriches the community. A show that…
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REVIEW: Alvin Ailey – Legacy
Reading Time: 3 minutes
Almost seven decades after Alvin Ailey founded his company, Legacy brings together works from across the Ailey repertoire
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REVIEW: Unveiling the Enigma
Reading Time: 2 minutes
A season opener that truly sets the bar for a nationally renowned orchestra and truly a shame to have missed.
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REVIEW: Thelma & Louise
Reading Time: 2 minutes
A musical adaptation that misses the mark
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IN CONVERSATION WITH: David Ottone
Reading Time: 4 minutes
We sat down for an exclusive interview with David Ottone, Artistic Director of Yllana, ahead of Flamenc Oh!! a playful and irreverent tribute to classic flamenco.
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IN CONVERSATION WITH: Ava Benkova
Reading Time: 4 minutesTheArchive presents a brand new play “Ophelia”. Ophelia. Daughter of Claudius. Sister of Laertes. Lover of Hamlet’s. The property of Shakespeare. Grasping flowers in her…
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IN CONVERSATION WITH: Stella Chen
Reading Time: 4 minutesViolinist Stella Chen joins ASMF to open the new season with Beethoven’s Violin Concerto in D major, following her widely acclaimed recent recording of the…
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IN CONVERSATION WITH: Hannah Hutton
Reading Time: 3 minutesWe sat down for a quick chat with Hannah Hutton, Jazz programmer at Kings Place. 1. Kings Place has become one of London’s leading homes…
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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