BROWSE ALL REVIEWS

REVIEW: Saxophone Dreams with Jess Gillam
Saxophone Dreams as part of the Scottish Chamber Orchestra’s New Dimensions concert series was…
Keep reading
REVIEW: Turn it Out With Tiler Peck & Friends
After its sold-out world premiere in New York and a first run at Sadler’s Wells…
Keep reading
REVIEW: Shallowspace Cryotech Feverdream
Shallowspace Cryotech Feverdream, the new Trans Sci-Fi body horror play from Elastic Fantastic is an…
Keep reading
REVIEW: Ancient Grease
Ancient Grease is a concept so simple and so obviously full of potential, it’s a…
Keep reading
REVIEW: When We Were Us
Jade Winters’ When We Were Us is ultimately a sincere production with a clear intention.
Keep reading
REVIEW: The Marriage of Figaro
Opera North’s new production of The Marriage of Figaro brings Mozart’s well known opera into…
Keep readingSomething went wrong. Please refresh the page and/or try again.
FEATURES

FEATURE: 2026 Royal Philharmonic Society Awards
The Royal Philharmonic Society Awards is a culmination of the year’s classical music talents, ranging from single performers, large-scale compositions and everything in between.
Keep reading
REVIEW: Woman In Mind
Alan Ayckbourn’s 1985 darkly comic exploration of mental illness, family life and suburban frustrations still grips audiences forty years on. The show is currently on…
Keep reading
REVIEW: The Importance of Being Earnest
The paradigm of Wildean comedy, “The Importance of Being Earnest”, By Oscar Wilde, is “a trivial play for serious people”. The play follows characters, richly…
Keep reading
REVIEW: SUGAR DADDY
Sugar Daddy at Underbelly Theatre Soho. Join comedian Sam Morrison in a new play about the remarkable true story he never wanted to happen.
Keep reading
REVIEW: America The Beautiful: Chapter 1
an exclusive collection of savage short plays offering a uniquely skewed view of life and relationships in the modern world.
Neil LaBute’s America The Beautiful:…
Keep reading
IN CONVERSATION WITH: Elizabeth Huskisson
We sat down for an exclusive interview with Elizabeth Huskisson, writer and performer of Where Have All Our Women Gone?
Keep readingSomething went wrong. Please refresh the page and/or try again.
A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
We cover across the United Kingdom with teams based in London, Oxford, Cambridge, Liverpool, Manchester, Glasgow and Edinburgh.
To join the team or request A Young(ish) Perspective coverage please contact us!





