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REVIEW: Unlikely: In a building with a broken lift
This week, the DippyEgg Theatre company makes its debut with their show Unlikely: In a…
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REVIEW: Welcome to Pemfort
Welcome to Pemfort is a striking and thought-provoking production that showcases the very best of…
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REVIEW: Psychopomp
Psychopomp is Kit Harington’s directorial debut is a dark comedy short, shot in Northern England,…
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REVIEW: Beethoven, Pekka & Dreamers’ Circus
This show consists of three major components, Pekka Kuusisto, Dreamers’ Circus by the Scottish Chamber…
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REVIEW: Talk It Out
Talk It Out is a performance by the Edinburgh University Showchoir, its members (about 15…
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REVIEW: Come Together
Join Liverpool Royal Court for an unforgettable evening of the music of John Lennon and…
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FEATURES
REVIEW: House Seats with Henry Patterson
At Crazy Coqs, House Seats with Henry Patterson offers an intimate and honest evening of conversation and performance, as Henry Patterson sits down with West…
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IN CONVERSATION WITH: Farine Clarke
We sat down for an exclusive interview with Farine Clarke, GP turned playwright and writer of Heartsink, which plays at Riverside Studios from 21 April -…
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IN CONVERSATION WITH: Alexander Whitley
We sat down for an exclusive interview with Alexander Whitley about Alexander Whitley Dance Company’s new double bill The Rite of Spring / Mirror.
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FEATURE: 2026 Royal Philharmonic Society Awards
The Royal Philharmonic Society Awards is a culmination of the year’s classical music talents, ranging from single performers, large-scale compositions and everything in between.
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REVIEW: Woman In Mind
Alan Ayckbourn’s 1985 darkly comic exploration of mental illness, family life and suburban frustrations still grips audiences forty years on. The show is currently on…
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REVIEW: The Importance of Being Earnest
The paradigm of Wildean comedy, “The Importance of Being Earnest”, By Oscar Wilde, is “a trivial play for serious people”. The play follows characters, richly…
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