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REVIEW: The Opposite of Distance
As soon as the performers in The Opposite Of Distance at Playhouse Easthad taken their final bows,…
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REVIEW: Swans Are F****** Arseholes
Swans Are F****** Arseholes at the Canal Cafe Theatre, directed by Freja Gift, begins with a…
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REVIEW: The Events
‘The Events’ is a play written by David Greig, directed by Jack Nurse, and assistant…
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REVIEW: Little Sister
Tense, tender and deeply unnerving It’s been 21 years since she disappeared. Then, one night,…
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REVIEW: Viy
Impressive in its use of physical theatre, haunting staging and absurdist dark comedy Viy is…
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REVIEW: Becoming Mrs Danvers
She does what she must, and lives with what it makes of her. In Becoming…
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FEATURES
REVIEW: Operation Mincemeat
REVIEW: Operation Mincemeat
After Olivier and Tony success, Operation Mincemeat begins its world tour back where it all began at The Lowry.
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IN CONVERSATION WITH: Sean Matthew Whiteford
We sat down for an exclusive interview with writer, Sean Matthew Whiteford, whose show (Edinburgh Festival Fringe hit new musical I WAS A TEENAGE SHE-DEVIL)…
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FEATURE: The Beguiled at BFI IMAX
Seen on the vast screen at BFI IMAX as part of Emerald Fennell’s February programme “Love Stories,” The Beguiled plays like a quiet act of…
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IN CONVERSATION WITH: Clive Lyttle
We sat down for an exclusive interview with Clive Lyttle, Artistic Director and Founder of Certain Blacks. They return with Black Athena Festival, a cross-disciplinary…
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IN CONVERSATION WITH: Olga Balakleets
We sat down for an exclusive interview with Farine Clarke, GP turned playwright and writer of Heartsink, which plays at Riverside Studios from 21 April -…
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IN CONVERSATION WITH: Brenda Callis and Frazer Meakin
We sat down for an exclusive interview with rising Cornish playwright Brenda Callis, author of Smalltown Boy, and director, Frazer Meakin. A heartbreakingly joyful new…
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A Young(ish) Perspective is tailored for the 18-40 age range, aiming to make arts more accessible by providing reviews, interviews and news in a way that resonates with our audience.
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