gracewallis

gracewallis

REVIEW: HOLST’S THE PLANETS

Reading Time: 2 minutesAs I sat listening to the London Philharmonic Orchestra deftly make its way from Judith Weir’s leafy “Forest” (1995) to Rachmaninoff’s “Rhapsody on a Theme of Paganini, Op.43” (1934), and then finally to the titular event of the evening, I wondered why I continue to be so drawn to this seven-movement orchestral suite about planets. 

REVIEW: CLIMATE CHANGE THEATRE ACTION’S READING SERIES: Capturing Creativity in the Climate Crisis

Reading Time: 2 minutesThe Fringe’s home for Scottish-Canadian artistic collaboration, Venue 13 kicked off the first of Climate Change Theatre Action’s 20 days of play readings. This is the Canadian theatre company’s tenth year of commissioning short-form climate theatre. Throughout the festival month, CCTA will present a total of fifty of its commissioned works, including ten new ones specifically written for the festival and in response to this year’s theme: The Time is Now. 

REVIEW: The Play’s The Thing

Reading Time: 3 minutesThis three-part play encapsulating the events surrounding a one-woman show at a pub theatre is not only self-aware of its setting in the most delightful of ways; it also becomes a sort of love letter to pub theatre generally that speaks directly and intelligently from a heart that both knows and wishes it well.

REVIEW: Testament

Reading Time: 3 minutesThe Arcola’s seventeenth festival of genre-stretching opera kicked off with a delightfully accessible piece that not only took its audience on a four-century journey through the forest but also embodied the best bits of an oft-inaccessible art form