Reading Time: 2 minutes“Big band jazz with an orchestral twist.” Guildhall Studio Ensemble feat Bill Laurance offers a wonderful evening of jazz music. Under direction of Clare Wheeler, a full symphony orchestra enlivens twelve of Laurance’s original compositions. With arrangements…
Reading Time: 2 minutes “A camp and scandalous romp” Just before the curtain rose on The Rocky Horror Show in the Liverpool Playhouse, I was aware that this would likely be no ordinary theatre-going experience, having seen at least three Dr…
Reading Time: 2 minutes"Through The Noise" offers a refreshing introduction to live classical music, particularly through the dynamic performance of the Kanneh-Mason siblings. Set in an engaging venue, the evening blends emotional depth with a relatable approach for all ages, breaking down traditional barriers while celebrating music's universal connection. A highly recommended experience for all.
Reading Time: 2 minutesAn interesting, modern take on the Christmas classic
Reading Time: 2 minutes“Exploring the universe through sound, the Guildhall Symphony Orchestra delivered a stellar performance” Wednesday evening, the Guildhall Symphony Orchestra transformed the Barbican Hall into a gateway to the cosmos, presenting a program that celebrated the infinite possibilities…
Reading Time: 3 minutesA fantastical adventure that balances the weight of grief and dementia with the joy and wonder of a richly imagined life. The Fantastic Life of Minnie Rubinski is a thoughtful and visually engaging exploration of memory, identity,…
Reading Time: 2 minutesThe first thing you might notice about this production of 1984 at Liverpool Playhouse is their excellent use of projection and set design to transport you into Winston Smith’s world and transform the theatre space from anything from backdrops or middle-ground scenery (achieved through clever use of a semi-transparent screen on stage) to video and computer screens. Before the show proper even begins the screen on stage displays an enormous eye, the camera roving the audience - we too are already under a state of surveillance.
Reading Time: 3 minutesFrom the moment we set foot in the auditorium of the New Diorama Theatre, it’s clear what kind of a show we are going to get. Hazel Low has the stage strewn with props and accessories–a thick gym mat, plastic balls, a smattering of wigs–as well as signs to hang around the neck to label each character as “King” or “Aristocrat” or “Peasant”. To lean on my GCSE Drama knowledge, it’s Brechtian (get me), designed to distance us and remind us we are watching a show, to keep us interested and engaged by the fourth-wall breaking drama so we truly think about its message. For this show, it’s the perfect choice.
Reading Time: 2 minutesJeremy Sassoon's musical showcase at JW3 celebrated Jewish origin artists, returning after five successful years. The lively evening featured engaging performances and insightful introductions to various genres, enhancing audience knowledge. With talented musicians, a warm atmosphere, and a blend of history and entertainment, the event was both informative and enjoyable.
Reading Time: 2 minutesStood on boxes on opposite sides of the stage and armed with standing microphones, Ellie Campbell and Megan Keaveney immediately cultivated an atmosphere of playful tension.