A delightful resurgence of a timeless classic – a visual feast for the senses
In an age where uniqueness and identity are both celebrated and criticised, the narrative of how we engage with those who appear different in our communities remains poignant and pertinent. And this was stunningly portrait in Matthew Bourne’s dance theatre adaptation of the cult classic that shed a light on the human condition, Edward Scissorhands.
The show follows the big beats of the classic movie – artificial boy is created by a grieving father (in an interesting mix of Coppélia, Petrushka, Pinocchio and Frankenstein) but it is left with scissors as opposed to hands. Initially accepted in a 1950s suburban America community, the character’s bildungsroman unfolds as a fable-like exploration of acceptance, uniqueness, and love, resonating with the universal experience of being ‘othered’ at some point in life.
Liam Mower brings nuance to the portrayal of Edward, blending naivety, candour, and wit, while Katrina Lyndon as Kim Boggs proves a worthy and understanding love interest. Kerry Biggin excels in a masterclass of maternal instincts as Peg Boggs, and Stephanie Billers embodies the perfect cougar as Joyce Monroe. The ensemble breathes life into stereotypical characters, infusing them with vibrancy through movement. Mesmerising dance sequences, creatively overcoming the challenges posed by the main character’s limited hand use, are a highlight, especially the captivating pas de deux between Edward and Kim.
Lez Brotherston’s retro-kitsch aesthetic and clever costumes, coupled with Howard Harrison, Paul Groothuis, and Duncan McLean’s contributions in lighting, sound, and video projections, create a visually coherent production. Bourne’s storytelling prowess ensures the relevance of the show, even 33 years after the original movie. The remount demonstrates care, with subtle tweaks for modern sensibilities, such as adjustments to costumes and the inclusion of a same-sex couple.
While the whimsical production captivates, the medium somewhat softens the emotional exploration of self-imprisonment due to bodily limitations. The pivotal moments, like the community turning against Edward, the unfulfilled love, and the transitions between past and present, may feel rushed. Despite these considerations, the show offers an enjoyable exploration of the story, making it accessible and engaging for audiences of all ages. Edward Scissorhands is at The Lowry, Salford from Tuesday 28th November to Saturday 2nd December 2023. Check it out here.