Have you ever heard the sayings “Good things come in threes” or “Three is a magical number”? Well, it turns out, they’re absolutely correct
Fascinating Aïda, heralded as a true gem of the theatrical world, received a warm embrace from the city as it graced the stage of the Oxford Playhouse. Their performance was a harmonious blend of music, comedy, and insightful social commentary, effortlessly merging these elements into an unforgettable experience. Guided by the esteemed trio of Dillie Keane, Adèle Anderson, and Liza Pulman, this captivating ensemble has been enchanting audiences for decades, seamlessly crafting entertainment that transcends conventional boundaries. Accompanied by their esteemed musical director, Michael Roulston, the audience found themselves assured of a delightful and enriching experience, promising a feast for the senses.
My own journey commenced roughly 13 years ago, at the tender age of 12. It began with a chance encounter online, where I was immediately captivated by their audacious approach to addressing diverse topics with sharp wit and humour. Their rendition of “Cheap Flights,” a comical portrayal warning us against the travails of budget airline travel, served as my initiation into their distinctive style. From that moment, I found myself eagerly scouring for live performance clips, yearning to experience their magic firsthand.
Attending their live performance proved to be a revelation, unlike any other experience I had encountered before. The palpable engagement of the audience, punctuated by synchronised laughter and animated commentary, enriched the overall ambiance. Engaging in conversations with fellow patrons in the foyer unveiled a shared enthusiasm for the group, with many already fervent admirers. At the end of the show, I heard one attendee say “I hadn’t seen, let alone heard of the group before this evening. I wish I had been exposed sooner”.
One of the most notable attributes of the performance is the impeccable chemistry among the performers. Onstage, they exude a seamless camaraderie, effortlessly complementing each other’s strengths and elevating their performances to sublime heights. This is not confined to their impeccable comedic timing but also extends to their musical virtuosity. Their commanding stage presence effortlessly captivates the entire audience, leaving no space for distraction. It’s a whirlwind of entertainment that serves as a testament to their 40 years of collective professional mastery.
What distinguishes them further is their audacity in confronting contentious subjects with finesse. Through songs like “Down with the Kids,” they adeptly satirise the generation gap and the challenges of maintaining relevance in today’s swiftly evolving landscape. Their adept use of humour as a tool for societal introspection encourages audiences to challenge norms and confront uncomfortable truths. Even the delicate topic of death was approached with levity and wit in the performance. Tracks like “We’re Next / We’re Not Done Yet” offer a humorous acknowledgment of mortality, empowering the audience to find solace in laughter and confront life’s uncertainties with a smile. If a show can do this, it truly is something special.
In essence, Fascinating Aïda transcends the realm of mere theatrical entertainment; it offers an immersive odyssey that simultaneously entertains, enlightens, and challenges its audience. With a repertoire that effortlessly oscillates between the whimsical and the poignant, this trio has forged a legacy that resonates with admirers across the globe, leaving them utterly captivated and eagerly anticipating the unfolding chapters of this remarkable journey. I strongly suggest you get your tickets for the tour now before they are all gone!


Truly marvellous show in Bury St Edmunds tonight. Isn’t it so important that we can poke our politicians pomposity with humour.