A highly entertaining evening of jazz, old and new, played by musicians who are masters of their craft

Entering the old Milton concert hall, the anticipation was mounting to hear the Guildhall Jazz Orchestra perform some of Rufus Reid’s original compositions. This anticipation was well met, with the concert opening with a classical composition being played to perfection, namely “The Tree Atop the Hill” by Finn Genockey.

After the opener, Rufus Reid entered, he graced the stage with gravitas, and took his time to get his instrument – the double base – ready and prepared to play. He had a genuine warmth and love for the music that was palpable, and the way he played his instrument was infused with this love.

The talent in the orchestra – all members are students at the Guildhall School of Music and Drama –  was unquestionable, but I times felt that there was a lack of raw passion from the musicians, a passion that is often found in more intimate jazz performances. There is no denying the sheer amount of skill, time and practise it takes to master these instruments, and each student is just that… a true master. But with a genre like Jazz, I believe there is an expectation for something a bit more than just playing the correct notes, it requires something a bit more rebellious, which I felt was missing from the students. 

It was very exciting to hear Rufus’ original composition, and hear some beautiful anecdotes from the composer himself about what inspired them. A personal highlight was his piece “A Linear Collage” which had all the elements of Jazz which are the most exciting… layering of a range of instruments in a way that is not necessary pleasing to the ear, but just about works harmonically. The piece let each instrument have its moment in the spotlight, which gave the impression of the instruments having a conversation. This instrumental conversation is sensational to listen and to watch. The woodwinds coming together in unison, supported by the bass, before the drum solo takes over. It is a cacophony of different tempos and colours, and it was a true delight. 

Rufus then delighted us with his ode to Saxophone legend, John Coltrane. This was a bit more up tempo, and delighted the audience with a lot of focus on the Saxophonists, who were superb, and had immense control over their instrument.

There was a good back and forth between Rufus and director, Scott Stroman, as they both took turns to introduce the next piece and offer stories about their careers, which made the evening so much more relaxed and enjoyable.

Overall, this was a highly entertaining concert, with a variety of compositions. Rufus Reid is a highly talented composer, and I encourage you to listen to his original work… you won’t regret it.