A visually stunning but narratively weak show
“Frankie goes to Bollywood”, the latest theatrical production by Rifco Theatre Company offers a spectacle that dazzles with its costumes, choreography, and sets but falters when it comes to delivering a compelling story. The strength of the show lies in its visual and kinetic elements rather than its narrative substance.
The costume design and choreography are standout aspects of the show. The creative costume changes not only enhance the scenic design but also add a dynamic element to the performance. Andy Kumar, serving as both Costume Designer and Movement Director, deserves commendation for his dual contributions. The costumes are vibrant and intricately designed, reflecting the colorful and lively essence of Bollywood. The choreography is equally upbeat and well-coordinated, providing a rhythm that keeps the audience engaged. A truly hard-working assemble should be also applauded for the countless costume changes and upbeat moments.
Rebecca Brower’s set design, featuring multiple lanterns, arches, swagged curtains and fans, transforms the stage into a visually stunning space – similar to a production studio. The theatre’s proscenium arch, reimagined with Indian architectural shapes, adds to the immersive experience. Philip Gladwell’s lighting further enhances the sets, accentuating the colors and shiny fabrics, creating an atmosphere that is both enchanting and true to the show’s Bollywood inspiration.
Unfortunately, the storyline does not match the visual spectacle. The narrative is weak and riddled with clichés, reminiscent of a Disney movie but without the satisfying payoff. The show’s attempt to address feminist themes is superficial, limited to mentions of equal pay and occasional ageism comments. There is a missed opportunity to delve deeper into what equality truly means beyond these surface-level issues.
The lead character, Frankie, fails to be compelling. Her motivations are unclear, and her frequent changes of mind make her character appear inconsistent, almost as if she were experiencing mood swings. This lack of a clear character arc leaves her redemption by the end of the show unconvincing. Supporting characters, like Malika (played by Helen K Wint), show promise with strong performances and vocal abilities, but their storylines often lack coherence and meaningful resolution.
The musical elements of the show are a mixed bag. While some songs are catchy, none stand out as memorable or earworm-worthy, whether they are pop or Bollywood-inspired. The vocal performances vary throughout the cast, contributing to an uneven auditory experience.
The show makes several nods to Bollywood imagery and conventions, but these homages remain superficial. There is little exploration of the deeper struggles associated with pursuing a purpose in life, whether in one’s own country or as an expat. Themes of misogyny and nepotism in the industry are touched upon but not thoroughly examined, leaving the social commentary feeling incomplete.
The production is aware of its own cheesiness and at times does not take itself seriously, which can be charming. However, this self-awareness does not compensate for the overstimulation caused by trying to incorporate too many Bollywood-adjacent elements. This approach results in a cluttered narrative that overwhelms rather than entertains.
In conclusion, while the show excels in its visual and choreographic elements, it is let down by a weak storyline and underdeveloped characters. The thematic execution leaves much to be desired, making the overall experience one of style over substance. If you want a fun night out with impressive spectacle and great dance – please visit Home for Frankie Goes To Bollywood. However, if you feel like you would rather see a show with more substance, you might want to look elsewhere.