REVIEW: The Syndicate

Reading Time: 2 minutesEver dreamt of winning the lottery? Kay Mellor's The Syndicate brings that fantasy to life, adapted for the stage from the hit BBC series. This soap star-studded production, currently touring the UK, follows a group of supermarket workers whose world is turned upside down when their lottery syndicate wins big.

Reading Time: 2 minutes

Rating: 2 out of 5.

If you’re looking for a lighthearted and humorous escape, The Syndicate delivers


Ever dreamt of winning the lottery? Kay Mellor’s The Syndicate brings that fantasy to life, adapted for the stage from the hit BBC series. This soap star-studded production, currently touring the UK, follows a group of supermarket workers whose world is turned upside down when their lottery syndicate wins big.

The ensemble delivers Mellor’s witty dialogue, creating a warm and relatable atmosphere. We meet the ever-organized Denise (Samantha Giles) who reminds her colleagues of their need to contribute to the weekly syndicate. Chaotic Stuart (Benedict Shaw) faces an endless list of problems, not helped by his unlikeable brother Jamie (Oliver Anthony), who further darkens the brothers’ troubles. The innocent Leanne (Rosa Coduri-Fulford) hints of a mystery unfolding, and the wholesome Bob (William Ilkley), the shop manager, holds the group together. As Detective Newall (Jerome Ngonadi) investigates a twist in their newfound fortune, glamorous Kay (Gaynor Faye) promises a life of luxury, while the ambitious Amy (Brooke Vincent) sets her sights firmly on the prize.

Technically, the production is well-executed. The set design effectively depicts the familiar corner shop environment, transporting the audience into the heart of the story. Lighting transitions smoothly between scenes and creates a great atmosphere on stage. While the focus remains on the characters and dialogue, these elements work together to create a believable and engaging theatrical experience.

However, the production falters when it attempts to tackle deeper themes. Issues like addiction and strained relationships are introduced but never fully explored, leaving a sense of superficiality. The emotional stakes, crucial for a compelling story, feel muted at times. A few moments of awkward humor land flat, detracting from the overall enjoyment. While newcomers might miss some nuances, fans of the original TV series will likely find much to appreciate. The play captures the show’s essence and charm, and the characters may resonate with the audience.

If you’re looking for a lighthearted and humorous escape, The Syndicate delivers. But those seeking a more profound dramatic experience might come away wanting more. Catch the show at The Lowry until May 19th and at various venues across the UK throughout the summer.

What are your thoughts?