Blending absurdity and humour, it reimagines Kafka’s classic story in a lighthearted manner.
Originally, Kafka’s “Metamorphosi” was a classic work by Franz Kafka, created with his unique existential perspective. It tells the tragic story of an ordinary salesman, Gregor Samsa, who suddenly transforms into a beetle and is gradually abandoned by his family and society. The musical adaptation, “Kafka’s Metamorphosis: The Musical! With Puppets!”, presented by Throughline Projects in association with Rocket Productions, merges Kafka’s novella “The Metamorphosis” with elements of Kafka’s own life. This results in a humorous and comedic musical that breaks away from the original’s heavy atmosphere. The production cleverly intertwines Kafka’s personal struggles with the narrative of his novella, creating a dual narrative structure that reflects the parallel fates of Gregor and Kafka himself—both trapped in unrecognized and unappreciated lives. Utilizing puppetry, shadow play, and other forms of performance, the production revitalizes this classic work with vibrant energy.
Blake Du Bois impressively both plays roles of Franz Kafka and Gregor Samsa. When he uses the puppet in his performance, the character shifts to Franz Kafka. The puppet, an endearing glove puppet with a slightly impatient personality, adds a layer of humour and absurdity to the show. Du Bois occasionally steps out of character to interact with the puppet, which is self-aware, knowing it is a puppet. This self-referential humour enhances the absurdity, aligning well with Kafkaesque themes. The other three cast members, Morgan Smith, Kaia Fitzgerald, and Luis Rivera worked perfectly together and performed well, with enthusiasm and perfect harmonies. The music and lyrics, written by Matt Chiorini and Travis Newton, the musical number aren’t quite as catchy as they could be, but they are enjoyable and fitting for the moment.
When discussing Kafka’s works, the term “Kafkaesque” often comes to mind. However, this production is less an adaptation of Kafka and more a reimagining based on his life and the novella The Metamorphosis. It deviates from the traditional “Kafkaesque” style, presenting a narrative that is more focused on humour and light-heartedness. Beneath the laughter, the creators may have intended to subtly reflect Kafka’s profound questions about society, family, and self-identity. Yet, the comedic tone ultimately immerses the audience in amusement, diluting the reflective nature of Kafka’s original work.
https://tickets.edfringe.com/whats-on/kafka-s-metamorphosis-the-musical-with-puppets