What has your experience been like working on Much Ado About Nothing Remixed? How has this production challenged or excited you as an actor?
My experience has been perfect because I’ve been able to learn different techniques as an actor and build a family at intermission. It has taught me to be resilient and empathetic, especially because we’re working with a large cast and some people can be having a bad day and project their feelings. I have managed to not allow it to affect me and rise above and be able to be a role model even though I’m one of the youngest in the group.
Intermission uses Shakespeare as a way to explore modern-day challenges. How
does Much Ado About Nothing Remixed reflect the pressures young people face
today, particularly with social media and societal expectations?
I think the play highlights the themes of hysteria and how everyone believes everything on the internet, and looks at how men and women have certain expectations of falling in love, and how women are expected to follow instructions from someone who has a higher status.
How have you personally connected with the character you’re playing? Do you
see aspects of yourself or your life in this story?
At first I found it quite difficult to connect to Francis as this character is highly religious (a pastor). I struggled to connect to this character as I’m not really religious, though I was able to understand Francis’s objective. But after Darren hosted a character workshop I was able to understand how to create my character alongside making a reconnection with God.
This production features two alternating casts. How has that been as a cast
member? Does it bring a sense of competition or camaraderie?
I wouldn’t say that there’s competition because at the end of the day we are still part of the same production, and I also find it quite helpful to see a different interpretation of the play.
Intermission is well-known for creating a safe and creative space for young
people. How has that impacted your confidence and growth as an artist?
In general, I’m a quite reserved person and shy and I started off shy, but as soon as we started rehearsing I felt more comfortable.
As someone currently working with Intermission, what’s the biggest takeaway for you, both in terms of artistic development and personal growth?
I’ve definitely become more extroverted compared to when I started and in terms of my skill as an actor, I have been able to think more about my characters’ circumstances and objectives.
Finally, what do you hope audiences will feel or reflect on after watching Much
Ado About Nothing Remixed?
I hope the audience find this play funny as it’s a comedy and I hope that they stay heavily engaged with the story.