A Playful, if Uneven, Retelling
The Globe Theatre’s Hansel and Gretel, adapted by Poet Laureate Simon Armitage and directed by Nick Bagnall, offers a visually imaginative and occasionally witty take on the classic tale. With its pantomime-inspired humour and modernized undertones, it promises something for all ages. However, this attempt to cater to both children and adults leaves the production struggling to find a clear identity, ultimately resulting in a charming but uneven experience.
The narrative retains its core elements but incorporates contemporary themes like war, grief, and survival, lending a sense of relevance to the familiar story. Yet, these elements often feel tentative, as though unsure of their place in the production. The show walks a delicate line between playful whimsy and earnest commentary yet fails to fully embrace either. This indecision prevents the deeper ideas from resonating while tempering the joyful exuberance that could make it a true delight for younger audiences.
Visually, the production is a feast for the eyes. Designer Rae Smith’s inventive staging transforms the Globe into a vibrant woodland, with bold textures and colours creating a magical backdrop. The candy-laden witch’s house is a standout, its vivid, cartoon-like quality dazzling the audience while cleverly highlighting the excess and temptation central to the story. These strong design choices enhance the show’s charm, even as its tone falters.
The performances are lively and engaging, with Ned Costello and Yasemin Özdemir shining as the titular siblings. Their playful chemistry and sibling squabbles bring warmth and humour to the production, anchoring the narrative in relatable moments of familial love. Beverly Rudd, as both the Mum and the Witch, delivers an energetic performance, but her portrayal leans too far into caricature, missing the opportunity to fully explore the darker, more menacing aspects of the antagonist.
For younger viewers, the production’s vibrant visuals and accessible humour will likely entertain. However, the lack of focus makes it harder to engage fully with either the lighter or darker elements of the story. Adults may find themselves longing for a bolder approach—one that either doubles down on playful absurdity or leans more heavily into the cautionary, symbolic nature of the tale. Instead, by attempting to strike a balance, the production feels restrained, avoiding risks that could have made it truly memorable.
Hansel and Gretel is a colourful and creative retelling that strives to appeal to all ages. Its moments of brilliance, particularly in its design and humour, shine through, but its reluctance to fully commit to a singular tone or vision ultimately holds it back.
Running until 5th December, get your tickets here