What the fringe is made to showcase!
Airlock Theatre in association with Soho Theatre have brought this vampiric, musical exploration of queer presentation to the Fringe stage. Performed by a mighty trio, the story follows the titular character Count Dykula as she attempts to overthrow the administration of Scare University and their limiting beliefs in being monstrous the right way. This on the nose comedy is full of quick witted comedy, cleverly injected popular culture and high concept social commentary.
Self-aware and self-deprecating, Count Dykula must come to terms with her own journey from ultra femme, human to undead, masc vampire amidst the stereotype of what a female vampire should look like.
With clever props and staging that worked well within the parameters of the Fringe stage, the show achieved a lot dramaturgically. Minus some technical misshapes and at times, poorly mixed audio, this was a completely enjoyable show. Even the cringeworthy moments were met with humor and levity in a way that resonated with the audience. The book and score was quickly paced and neat, the voices were lovely, and the acting distinct. It is refreshing to see something so unapologetically gen-z and of the time when so many theatre companies shy away from generationally specific content. For Count Dykula, this choice serves them well.
This show performs in the Pleasance Dome from the 5th – 25th and the run time is one hour. Tickets here.