REVIEW: Venus 2.0


Rating: 4 out of 5.

Stunning visual intensity in a dark contemporary style.


VENUS 2.0 follows the story of Mary Richardson, a suffragette who later became a fascist and leader of the women’s section of the British Union of Fascists. The name of the show comes from the actions of Mary as a suffragette, when she vandalised Velázquez’s painting, The Rokeby Venus, at London’s National Gallery (the same painting that was targeted by environmental activists in 2023).

Mary Richardson is thrust into a time-travelling cabaret as we hear from those involved in futurism and the fascist movement. This is an exploration of a radical ideology through contemporary dance that is captivating in its intensity. Voice overs are played as the actions unfold using physical theatre; this creates an eerie atmosphere where danger feels as though it is lurking behind the curtain. We are also treated to lighter comedic moments throughout, taking the audience on a rollercoaster of emotions.

Beautiful shapes and creative blending of movement with shadow and light, paired with a mixture of classical, operatic, and modern music, makes this a stunning visual piece. The simple staging was transformed by the use of physical bodies as tools for storytelling.

VENUS 2.0 was a dark and mesmerising performance that would appeal to those who enjoy the exploration of hard-hitting themes through dance.

VENUS 2.0 is at the Edinburgh Fringe until 24th August at Main House at ZOO Southside. Buy your tickets here: https://www.edfringe.com/tickets/whats-on/venus-2-0


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