A masterclass in physical comedy that takes the Dirty Work of domestic life and polishes it into a sparkling triumph
Dirty Work arrives as a highly anticipated exploration of “invisible” labour following a sold-out run at the Edinburgh Fringe. Created and performed by Jessica Barton, she uses her background in clowning and musical theatre to deliver a show that blends the two to brilliant effect. This show is an unequivocal 5 stars.
What makes this performance truly spectacular is Barton’s reliance on physicality. The show is primarily mimed, channeling a comedic style reminiscent of Mr Bean. Aside from a few exclamations and the odd sentence or two, Barton communicates almost entirely through movement and incredibly expressive facial work.
Her control over the audience is exceptional. Within the first five minutes, she had the entire room eating out of the palm of her hand, enthusiastically cheering for the correct way to fold a pillowcase. There is a genuine sense of joy radiating from the stage and Barton seems to be having just as much fun performing as we are watching.
Underneath the laughter and the rhythmic movements of domestic life, Dirty Work has some important things to say about the unpaid domestic labor of women and the stifling weight of societal expectations.
What makes the show so successful is its accessibility. Barton delivers her critique in a way that is never alienating. Even the most slovenly of husbands would find themselves nodding along in agreement. However, don’t let the humor fool you. The show eventually pivots toward a gut punch emotional moment that feels like a natural, necessary progression. It lingers just long enough to let the impact be felt, remaining poignant and real without ever veering into the self-indulgent or preachy.
Dirty Work is an incredible achievement by an utterly fabulous performer. It is a show that manages to be both a riotous night out and a sobering reflection on the domestic sphere. You’ll never look at your laundry the same way again. Dirty Work played at the Soho Theatre from 21st-24th January.