an outstanding example of theatre that challenges introspection
Sarah Power’s Welcome To Pemfort, is an example of masterful playwriting and the magic theatre can create when a talented team come together. Not only does the play offer an outstanding performance of skill, but it creates conversation which doesn’t just stay within the theatre. Set in a museum shop, beautifully designed by Alys Whitehead, we are rapidly introduced to the bold characters of Power’s world. The direction by Ed Madden is formidable. From the onset of the play, the audience are made aware of rich characterisations and dynamics between the staff of Pemfort. A small and dedicated team of three consists of Glenn (Ali Hadji-Hieshmati ), uma (Debra Gillett) and Ria (Lydia Larson). Glenn takes the lead as the premise of the play is laid out- Pemfort is suffering and something must be done about it. Power showcases the care and dedication the individuals have to their work, and the excellent world-making within this establishing scene underlines how this small fort in rural england, stands for much more for its workers. The solution to the need to raise money, comes in the form of a living-history day, in which the staff will host an interactive day of festivities to celebrate Pemfort, and attract a new wave of visitors and income.
The complexities begin as Kurtis, played by Sean Delaney, enters. Through some hilarious interactions, Deleaney beautifully portrays a kind, young man who is seeking a new sense of community as he joins the sales team. We soon come to learn of his past, having been in prison, and his shared experiences of NA meetings with Uma. Despite this being unknown to the wider team, Kurtis examples dedication and care to his new peers, and builds an especially close relationship with Ria, whom he helps on her quest to nurture an endangered deer. These beautiful moments capture a real growth in intimacy, before much physical touch is made. With intimacy director Georgina Makhubele’s guidance, cosy and soft lighting by Cheng Keng and the grounding bird whistle sound of Max Pappenheim, we as an audience are so convinced of this tale of trust and growth, before Power breaks this all away. As a dark secret is revealed, the actors, if possible, execute an ever greater performance. The loud and busyness of London and Glen’s past finally unfolds upon the peace of the fort. Through tense body language, and amazingly crafted stage fighting direction by Enric Ortuño, a shadow of violence is cast. With standout performances from Hadji-Hieshmati and Delaney, Power brings in deeper issues of masculinity, trauma and questions of rehabilitation.
Welcome to Pemfort is a striking and thought-provoking production that showcases the very best of contemporary theatre—bold, moving, and impossible to ignore. A must see.