REVIEW: Tender
Reading Time: 3 minutesWritten by Eleandor Tindall, the play seeks to prove how human connection is the motor of life's ebbs and flows.
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REVIEW: The P Word
Reading Time: 2 minutesWaleed Akhtar’s The P Word is both an example of theatrical genius and of the power theatre holds in its storytelling.
REVIEW: I’m Muslamic Don’t Panik
Reading Time: 2 minutesA delightful evening for the senses. Zan, Zendegī, Āzādī (Women, life, freedom) Bobak Champion’s I’m Muslamic Don’t Panik invites its audience to be immersed in aworld of storytelling, hip-hop and Bristolian and Iranian culture. Bobak welcomes theaudience…
REVIEW: TWO
Reading Time: 2 minutesAn impressive performance that raises a glass to those who are often misheard When the sun’s out, where can you often find Londonders? The local boozer is certainly your best bet, and Jim Cartwright’s TWO provided for…
REVIEW: 10 First Dates
Reading Time: 2 minutesA witty, charming tale of ten dates, and a woman who deserves more At midday on a sunny Tuesday, Camden’s Etcetera Theatre welcomes a Gooper DustProduction of 10 First Dates. Starring Laura Shipler Chico as Maggie, the…
REVIEW: Welcome to Pemfort
Reading Time: 2 minutesWelcome to Pemfort is a striking and thought-provoking production that showcases the very best of contemporary theatre—bold, moving, and impossible to ignore.
REVIEW: Smalltown Boy
Reading Time: 2 minutesThe joyous joining of drag and drama is masterful. Not often does drag not hit the mark. Not often does a drag performance leave you considering your own experiences of grief. Brenda Callis seeks to deconstruct the…
REVIEW: Daniel Moore’s Definitive Guide to Failure-Free Living
Reading Time: 2 minutesA funny, uncomfortable, intense, sweaty night of brilliant theatre Matthew Edgar’s curation of Daniel Moore’s Definitive Guide to Failure-Free Living iswithout a doubt, one to look out for. A co-production with Drayton Arms theatre, Edgarsituates the audience…
REVIEW: Concrete
Reading Time: 2 minutesPart of FreshFest (The Old Red Lion Theatre’s 4th-year-running festival that celebrates new writing) Ché Tligui’s Concrete had only been previously exhibited at twenty minute scratch nights.
REVIEW:Prashasti Singh: Divine Femine
Reading Time: 2 minutes"the crowd-control Singh had was undeniable and this elegantly crafted performance left the audience feeling warm, listened to and with a smile on every face. "