Tense, tightly written with performances that shine in the darkness of the play
Play Dead follows the story of Echo, who is dealing with anxieties and trauma while tucked away in their bedroom with their ex’s dog… that they’ve stolen. From here we embark on a dark and twisted journey that does not flinch until its conclusion.
The play is headed by Bailey Edwards, who writes the piece as well as playing Echo. The writing is absolutely superb. It is a masterclass in drawing out tension throughout a script, while building a version of a character that may not be exactly what meets the eyes. The characters break the fourth wall to allow further exploration of their personalities and the way they project themselves. The parallels between the Greek Myth of Echo and Narcissus are played to perfection, utilised to explore a generational trauma that has not fully been dealt with by our modern day Echo. The themes and issues raised are all handled with the utmost care, leading to a script that provides a thorough exploration of trauma and anxiety.
Edwards is also a phenomenal actor in the play. They are intense, while being quite likable. Any action they do, be it eating a grapefruit or holding a knife, is done with purpose and causes further distress to the audience. You never know where you sit with Echo, but you still want the best for them. Edwards’ powerful performance gives that to us effortlessly. He is joined by Sylvie Field, who joins him throughout to portray a version of his sister. She is brilliant, playing on a perceived innocence that breaks away to a menacing presence that pushes Echo to his final moments. Mia Hull serves fantastically as the director, finding the moments to break away from the darkness as well as leaning into the tension when it is needed.
A shout out must be given for the sound and set design. There is a clever use of microphones and effects throughout that adds a sense of unease to the whole piece. The set is simple but powerful, and all these elements blend together incredibly well to create something truly wondrous. Yet, there is still room for this piece to grow. Some moments could go on longer, and further ramp up the pressure, particularly some of the dance movements. Little developments will make this a play to be reckoned with.
Play Dead is a great piece of writing that keeps you on the edge of your seat. It has plenty of humour while it basks in a tension that is inescapable, even once you’ve left.
Show Listing: https://www.edfringe.com/tickets/whats-on/play-dead
LISTINGS INFORMATION
Venue: Iron Belly at Underbelly, Cowgate
Dates: 5th – 30th August (Not 18th)
Time: 15.40
Ticket prices: 12.50/ concessions £11.50
Fringe box office: 0131 226 0000 / www.edfringe.com
Suitable for 16+ (Guideline)