REVIEW: Second Speaker
Reading Time: 2 minutesSecond Speaker, a new play by Nathan Chu, gradually opens out into an examination of the prison education system and the value of learning in environments designed for containment rather than growth.
Diana Miranda
Performing-arts addict /
Unconventional arts-writer /
MA Theatre Criticism and Dramaturgy (London) /
BA Culture Studies and Management (Mexico City)
REVIEW: Her and The Voice in Her Head
Reading Time: 2 minutesFuelled by spoken word and banter, Lorraine Adeyefa’s lively performance blends the playful and the painful, exposing the open wounds of a young Black woman’s search for love.
REVIEW: Short & Mighty
Reading Time: 3 minutesAn eclectic evening of bite-sized plays, ranging from delicious pieces to others still finding their flavour.
REVIEW: I Made You a Mixtape
Reading Time: 3 minutesA high-energy, genre-defying love letter to the 90s celebrating the fleeting intensity of a moment through the unfiltered language of dance.
REVIEW: Panacea
Reading Time: 2 minutesPresented by Bloodline Theatre Company, Panacea explores what happens when scientific ambition collides with emotional vulnerability.
REVIEW: F*ckboy at Camden People’s Theatre
Reading Time: 2 minutesPart night train confession, part club-night fever dream, F*ckboy navigates dysphoria with sharp humour and sincerity. A performer leans casually against a dark stage wall under purple and blue lighting, wearing a black outfit with fishnet tights and chunky…
REVIEW: Trip the Light Fantastic
Reading Time: 3 minutesWritten by Miriam Battye (Scenes with Girls, Strategic Love Play, Succession), Trip the Light Fantastic makes its London debut at OSO Theatre.