Ke Meng

Ke Meng

Theatre. Education. Culture. I work in the showbiz in London and am a passionate theatregoer and exhibition/museum goer. Loving to communicate and exchange views. Occasionally grumbling about life in London. Reviewer for A Young(ish)Perspective. As a v. honest reviewer, I'm open to any invitation of reviewing.

IN CONVERSATION WITH: Daljit Nagra and Liz Berry

Reading Time: 3 minutesPoetry By Heart, founded in 2012 by former Poet Laureate Andrew Motion and Dr Julie Blake, is a national poetry recitation competition open to all schools and colleges in England. This year, over 128,000 young people chose, memorised, and performed a poem they love.

Finalists compete at the Grand Finale at Shakespeare’s Globe on 7 July, with 40 finalists in the Classic category and 15 schools in Freestyle, celebrating creativity and inclusion. Three schools will receive special awards.

Judges include poets Daljit Nagra, Patience Agbabi, Liz Berry, Valerie Bloom, Glyn Maxwell, and Jean Sprackland. We sat down with judges Daljit Nagra and Liz Berry.

IN CONVERSATION WITH: Hunia Chawla

Reading Time: 2 minutesWe sat down with Hunia to discuss her play Permission, A play about patriarchy, protest and the global political order at Tara Theatre. What was the inspiration for ‘Permission’?  The inspiration for Permission comes from the oversimplified…

IN CONVERSATION WITH: Giulietta Tisminetzky

Reading Time: 4 minutesComing to the Brighton Fringe Saturday May 31st - Sunday June 1st is the Edinburgh Fringe sell-out show from Giulietta Tisminetzky, HOW TO KILL A CHICKEN. This moving coming-of-age tale follows a daring young woman embarking on her dream holiday across the Atlantic for a rollercoaster ride of love, passion, sex and self-discovery. We hold this exclusive dialogue with Giulietta.

IN CONVERSATION WITH: Mattia Sedda

Reading Time: 2 minutesCHOIN is inspired by the pig call farmers use in Sardinia—“CHOIN, CHOIN!”—direct, ridiculous, and honest. It follows a Sardinian guy who comes to London (with broken English, a suitcase full of dreams, and a very questionable sense of class) to become a professional actor. He ends up in restaurant jobs, awkward auditions, and slowly builds his ultimate showcase—full of Shakespeare, slapstick, theatrical chaos, and a few too many ideas.  We sat down and had this conversation with its creator, Mattia.