REVIEW: Jaja’s African Hair Braiding
Reading Time: 3 minutesJaja’s African Hair Braiding is an incredibly powerful production that exemplifies excellence in every way.
Rose-Charles Raj
REVIEW: Giselle
Reading Time: 3 minutesThis production is a masterclass in ensemble work, staging, dynamics, dance, design and audience engagement through rhythm and pacing
REVIEW: Julius Caesar
Reading Time: 2 minutesThe production makes it abundantly clear that the future of theatre must cast a wider net, integrating and elevating global cultures.
REVIEW: Old Fat Fuck Up
Reading Time: 2 minutesIntimate, personal and a accurate dive into our shared experiences as humans This piece’s entire power sits in its title. It’s an intimate show about the human condition and the experience of many men, the collision of…
REVIEW: The Lady From The Sea
Reading Time: 3 minutesThe Lady From The Sea at the Bridge Theatre is a stunning lesson in directing, stagecraft, adaptation, and design.
REVIEW: Brown Girl Noise
Reading Time: 3 minutesThe show offers a rich and diverse portrayal of British South Asian women in a contemporary context. The play is woven with energy, driven by a cast of distinct characters and talented actors that offer unique insights to the stage.
REVIEW: The City for Incurable Women
Reading Time: < 1 minuteA gritty one-person production in defence of madness
FEATURE: We The Women
Reading Time: 3 minutesWe The Women made its mark with the first-ever edition of India’s Best Women’s Festival, hosted at Riverside Studios in London.
REVIEW: A Festival of Korean Dance: Ham:beth
Reading Time: 2 minutesPlaying as part of The Place’s Festival of Korean Dance, choreographer Jae-duk Kim brings high energy work with a very British inspiration. The all-male troupe of performers that make up Kim’s company Modern Table inhabit the energy and madness of Shakespeare’s titular antiheroes Hamlet and Macbeth — hence, Ham:beth.
IN CONVERSATION WITH: Josephine Burton
Reading Time: 3 minutesDash has focused on - telling untold stories, creating space for empathy, and using theatre as a bridge between worlds. The Reckoning is political, yes, but it’s also full of intimacy and humanity.