Reading Time: 2 minutesSince Kenneth MacMillan's Romeo and Juliet in 1965, no Shakespearean play has even been transcribed into ballet. This is somewhat in conceivable: how can you translate the epitome of Shakespearean language into sole physicality while still retain the substantial qualities of his plays? Choreographer Christopher Wheeldon took this challenge in 2014 together with composer Joby Talbot, successfully transforming The Winter's Tale into another in-house Shakespearean repertoire of the Royal Ballet. Now, a decade later, Wheeldon revisits this masterpiece with some upgraded technologies, but preserves the essence of this tragicomedy.