Category ★★★☆☆

REVIEW: Imposter 22

Reading Time: 2 minutesA thought-provoking yet confused production Imposter 22, a pioneering theatrical creation emerging from a five-year collaboration with learning-disabled and autistic artists at Access All Areas, challenges the conventional boundaries of stagecraft with its whodunnit narrative. The performance…

REVIEW: Pygmalion

Reading Time: 3 minutesPatsy Ferran and Bertie Carvel star in the revival of George Bernard Shaw's Pygmalion, a play written in 1912, a classic tale of rags to riches, familiar to us, having inspired films such as My Fair Lady and Pretty Woman. Pygmalion follows the transformation of Eliza Doolittle (Patsy Ferran), from a working-class girl, selling flowers in Covent Garden, into a refined, presentable "lady". Eliza's story begins with her meeting the phonetics professor Henry Higgins (Bertie Carvel) and Colonel Pickering (Michael Gould). Higgins makes a bet with Pickering that through training and speech lessons, he could replace Eliza's cockney accent and blasphemous language, with the speech and mannerisms of a high-class lady, and pass her off as a duchess in high society. Eliza is transformed and suddenly a new world is opened up to her; various parties, social opportunities, and romantic interests. As expected, this big change has its consequences, and as we follow the effects of Eliza's new social status, we also observe the changing relationship between Eliza and Higgins, leading to questions concerning class, identity and power.

REVIEW: Rebecca

Reading Time: 3 minutesFollowing successful productions in 12 countries around the world, the musical adaptation of Daphne Du Maurier’s 20th century classic finally finds its way to a London stage, 17 years since its world premiere in Vienna, Austria. Written by the acclaimed duo of Michael Kunze and Sylvester Levay, and adapted in English by Christopher Hampton, another theatre and film legend, this musical adaptation of Rebecca remains true to the original storyline and captures for the most part the essence of the 1938 Goth classic.