REVIEW: You Heard Me

Rating: 4 out of 5.

You Heard Me unapologetically and rightly so demands to be heard

In You Heard Me, a one-woman physical theatre piece, Luca Rutherford masterfully weaves an intensely personal narrative that delves into the harrowing true story of her escape from a violent assault. 

Under the directorial guidance of Maria Crocker, Rutherford’s performance is nothing short of mesmerizing. It traverses a spectrum of emotions, delivering moments of unpredictability and fervour that hold the audience’s attention throughout. Some recurring phrases echo throughout, reflecting her inner turmoil. Through abstract and beautifully executed movements choreographed by Linzy Na Nakorn, we are drawn into the tumultuous inner world of someone confronting the trauma of sexual abuse. We witness the internal struggle, filled with indecision, the quest for control, and the discomfort that stems from attempting to find comfort.

The production approaches its weighty themes, particularly sexual violence, with utmost care, providing a ‘relaxed’ atmosphere for the audience. This unique approach allows spectators the freedom to enter and exit the auditorium at will, fostering an environment of empowerment and sensitivity. 

With an unconventional structure, You Heard Me offers a deep and intimate look into the inner workings of Luca Rutherford’s mind. It may lack a traditional linear narrative, yet it exudes authenticity, feeling like a profound and soulful self-disclosure. Rutherford’s message, powerfully communicated throughout, is clear and resonant: it’s a call to action, urging everyone to claim their space, make their voices heard, and unapologetically resist self-silencing. The show bears a striking Brechtian quality, marked by self-awareness in its use of lighting and references to the tech booth and interactions with the audience. 

In its entirety, You Heard Me is an emotionally charged, thought-provoking performance that leaves a lasting impression on its audience, inviting them to reflect on the power of personal agency and the imperative of breaking silence.

The essence of theatre often lies in its ability to share personal pain, connecting the fragmented experiences of others. In this profoundly relevant piece of theatre, we are offered a glimpse into the inner battle of a woman who grapples with a profound sense of insecurity in this world. It’s a narrative that regrettably resonates with most and without a doubt important to be heard.

What are your thoughts?