A blend of historical reflection infused with nostalgia from the past and an optimism for the future
Offering a glimpse into the inner workings of Live Aid, the historic 1985 benefit concert was witnessed by 1.5 billion viewers. This groundbreaking spectacle united music industry giants, reaching $127 million in contributions, and delivering crucial aid to Ethiopia including emergency food, medical support, and sustainable development initiatives.
In the production Just For One Day, Suzanne, a child of the Eighties portrayed by Hope Kenna and Jackie Clune, embarks on a nostalgic journey with Jemma, a Gen Z individual portrayed by Naomi Katiyo.
Jemma, intrigued by the concert’s contemporary significance, serves as a guide, leading the audience through Bob Geldof’s Band Aid and Live Aid projects: from the BBC coverage of the Ethiopian famine to the iconic ‘Do They Know It’s Christmas?’ by Band Aid, and through the dual concerts held in London and Philadelphia.
“Just For One Day,” The Old Vic’s inaugural 2024 production, delivers precisely what’s needed: a blend of historical reflection infused with optimism for the future. Andrzej Goulding’s cinematography surpasses expectations, flawlessly capturing the essence of the era and the ambiance of a globally televised music extravaganza.
The play gives voice to everyday characters, offering a sense of charity towards the underrepresented. Technicians like Jim, portrayed by Ashley Campbell, and backstage personnel like Marsha, portrayed by Danielle Steers, are granted stage presence, showcasing their remarkable singing abilities. Margaret Thatcher played by Julia Atherton surprises audiences with her endearing singing and impeccable comedic timing, almost winning over the crowd.
The Band Aid Charitable Trust has given its permission for the musical to go ahead and will receive 10% of the ticket sales and even the real Bob Geldof, the musician who harnessed the power of rock and pop to save lives, has commented on the musical giving his approval by saying “It better not be shit”.
Despite some clichéd moments in the script, the dedication to the music compensates, evoking a full-fledged ’80s nostalgia. The musical serves as a beacon of hope, resonating long after the final curtain falls. It reminds us that we all have the potential to be heroes.