A powerful mix of history, music, and advocacy, highlighting the importance of women’s rights through reflective storytelling
Entering the Barbican Hall, unsure of what to expect, I was soon captivated by the incredible experience that is Aoife O’Donovan’s performance. The GRAMMY Award-winning American singer-songwriter made her entrance on the stage discreetly, almost shy and overwhelmed by the moment. Jokingly, she remarked that she knew the tickets were sold out but didn’t imagine there would be so many of us. She then performed three of her older songs, charming the audience with her beautiful voice, before diving into the tracks from her newest album, All My Friends. As she made her Barbican debut, accompanied by the Guildhall Session Orchestra, the Music Centre London Session Choir, and conductor Eric Jacobsen. The evening turned into a tribute to the struggle for women’s rights to vote, inspired by the 19th amendment. The choice of subject for this album is not just relevant but incredibly poignant, especially as we approach another critical election in the UK. Aoife’s exploration of how much has truly changed for American women since winning the right to vote a century ago is both thought-provoking and inspirational.
Her songs, inspired by the speeches and letters of suffragist Carrie Chapman Catt, blend historical reflection with modern-day experiences. This concert was not merely a performance but a call to remember and honour past struggles while using them to inspire present and future generations to safeguard their rights. Unlike the protest songs of Dylan and others, Aoife’s folk music takes a more introspective route, looking back at history to offer hope and encouragement for today and tomorrow.
On stage, Aoife was joined by an ensemble of nearly 50 women (and only three men!), creating a powerful visual statement about the strength and solidarity of women. The orchestra’s beautiful sound and the choir’s perfect harmonies complemented Aoife’s stunning voice. Her vocals truly shone throughout the evening, metamorphosing into echoes of emotion and resilience.
The atmosphere was intimate, as Aoife’s heartfelt compositions resonated deeply with the audience. From her beginnings with the progressive folk band Crooked Still to her supergroup I’m With Her, and collaborations with artists like Yo-Yo Ma and Chris Thile, Aoife’s solo career has been marked by critically acclaimed albums. All My Friends promises to be another gem in her discography, and experiencing its live debut was nothing short of pure joy.
As the concert came to an end, I couldn’t help but feel a deep sense of appreciation for the rights we often take for granted. Aoife O’Donovan’s performance was not just a concert; it was a reminder of the power of music to inspire and unite us in the ongoing fight for justice and equality.