‘Bourrée en couru to get your tickets now – this is the highlight of the Christmas season’
Noel Streatfeild’s Ballet Shoes has been reimagined with flair by Kendall Feaver in this lively new adaptation at the National Theatre, directed by Katy Rudd (The Ocean at the End of the Lane). The result is a joyous, moving production that balances whimsical charm with heartfelt sincerity.
The eclectic and versatile set by Frankie Bradshaw is a true showstopper. Towering walls lined with fossils and books evoke the chaotic yet nurturing home of the Fossil sisters, while clever staging – including a beautifully choreographed motor car scene – adds theatrical magic at every turn. Ellen Kane’s choreography deserves special mention; while not pure ballet, movement inspired by its grace and poise is woven seamlessly throughout, enhancing the storytelling (which has ballet firmly set at its center) without overshadowing it.
The story, centred on the three adopted sisters Pauline, Petrova, and Posy Fossil, shines with a message that no matter how talented you are, kindness, humility and hard work is essential to forging your path. Feaver’s adaptation stays true to the novel’s core themes, while thoughtfully updating elements, including a diverse casting approach that subtly underscores the sisters’ individuality and breathes life and modernity into the supporting cast.
Yanexi Enriquez as Petrova delivers a delightful tomboyish enthusiasm, while Daisy Sequerra captures Posy’s precocious confidence, balancing her impertinence with an undeniable charm. Grace Saif’s Pauline is compelling, though her character’s development feels slightly underexplored by the script. However, Pauline’s moments of friendship with Sonya Cullingford’s Winifred offer some depth and provide a touching subplot that highlights the importance of resilience and kindness.
The supporting cast is equally engaging. Pearl Mackie’s Sylvia (Garnie) brings warmth and determination as the Fossils’ guardian, while Sid Sagar’s Jai Saran adds a touch of romance and humour. Jenny Galloway as Nana is a masterclass in comic timing, while Nadine Higgin’s Theo Dane and Helena Lymbery’s Doctor Jakes deliver nuanced performances that celebrate independence and creativity. Justin Salinger delights in dual roles as the larger-than-life Great Uncle Matthew (GUM) and the formidable Madame Fidolia, whose poignant duet with her past self (Xolisweh Ana Richards) cut through the frivolity and humour of the play, tugging on heartstrings and sparking much-needed growth from the three Fossils.
If there’s one minor critique, it’s the slightly generic soundtrack, which, while executed flawlessly, leaves you wishing for a more distinct musical signature to complement the production’s otherwise rich tapestry.
Ultimately, Ballet Shoes is a charming celebration of ambition, family, and the power of chosen connections. Whether you’re revisiting a childhood favourite or discovering it for the first time, this production offers something for everyone. Here’s hoping it becomes a Christmas tradition – I know I’ll be at the first at the door for a revival.
Ballet Shoes runs at the Olivier Theatre until the 22nd February.