Dick is not for everyone. It has a strong start but the climax is a bit of a let down.
“Dick” at Riverside Studios is a play that captivates with its sharp wit and compelling performances in its first act, but ultimately stumbles in its ambitious, albeit jarring, second half. It is written and directed by Adam Kinneen.
The opening act is a lively and engaging affair, brimming with the kind of fun, fast-paced dialogue that perfectly captures the anxieties and evolving perspectives of friends in their mid-twenties. The conversations flow naturally, delving into relatable themes such as changing views on sex as one ages, and the quiet anxieties of friendships shifting or fading over time. It’s a genuinely enjoyable watch, establishing characters that feel authentic and a narrative that feels grounded in contemporary experience.
However, the play takes a bewildering turn in its second act. What begins as a subtle hint at the close of Act One explodes into a wild, and at times, profoundly depressing shift in tone and story. This dramatic pivot feels largely unearned and comes across as something entirely disconnected from the thoughtful groundwork laid earlier. It’s almost as if two distinct plays have been uncomfortably slammed together, rather than forming one cohesive piece. This tonal whiplash is the play’s most significant hurdle, preventing a seamless narrative flow.
Adding to this disjointed feeling is an extended dom/sub scene that, while visually striking, felt largely divorced from the overarching themes and narrative progression. Had this element been expanded upon and made the crucial linchpin of the second act, its inclusion might have resonated more deeply. As it stands, its length and slow pace, without clear thematic integration, felt peculiar and perplexing.
I will entirely admit it is possible that there are themes and subtext which I am not picking up on which help to explain why these disparate moments all work together, but from a first watch and without the script to look through, some of the thinking behind the play seems muddled.
Despite these narrative challenges, the acting across the board is commendable. All performers deliver strong, nuanced portrayals, elevating the material with their skill. The production also features some truly clever and effective dramatic decisions. One particular moment, where two characters share a prolonged silence on stage, was incredibly impactful and profoundly interesting, showcasing the power of non-verbal communication and the actors’ command of their craft.
Overall, “Dick” is a good play with these strong individual moments and performances. While its adventurous narrative shift creates a divisive viewing experience, the initial charm and moments of genuine dramatic brilliance make it a play worth seeing, albeit one that leaves you pondering what might have been with a more unified vision.
Dick is playing at the Riverside Studios until Wednesday 25th June.