An unmissable feat of stagecraft magic
The classic series by C.S. Lewis has recently had a cultural resurgence, with Greta Gerwig’s star-studded new film famously in the works. The Sadler’s Wells production of The Lion, The Witch and The Wardrobe celebrates the 75th anniversary of the legendary novel with a ‘larger-than-life production’ for all ages. Having already toured extensively, the London season comes about halfway through the 2025 UK and Ireland tour, leaving a trail of 5-star reviews in its wake.
A re-worked version of Sally Cookson’s original 2017 production, director Michael Fentiman leads this staging to an opening night standing ovation at Sadler’s Wells. A mesmerising production, this version races along whilst managing to not sacrifice story for the sake of pace.
Brought to life by a merry band of multi-talented performers, we watch as woodland creatures strum instruments, Father Christmas has a solo number and a gang of evil ‘cruels’ present a seamless dance routine. Tom Paris has created an exceptionally versatile set, allowing for transformation from railway station, to spare room to various locations in the magical landscape of Narnia. Costumes by Paris are also exceptional, mirroring the real-world outfits of soldiers during WW2, representing good and evil under the White Queen’s icy rule.
Lighting by Jack Knowles and sound by Tom Marshall work seamlessly together, creating an immersive world that practically envelopes the audience. The songs by Barnaby Race and Benji Bower slot easily into each scene, adding heart and showcasing the incredible vocals of many performers, notably Anya De Villiers as a steadfast Mrs Beaver.
Whilst this is undoubtedly an ensemble piece, a few performers manage to stand out from the talented chorus. Kudzai Mangombe is a sensational Lucy, effectively portraying a little girl who is both ‘the bringer of light’ and wise beyond her years. Bunmi Osadolor is equally adept at playing a petulant schoolboy, embodying the iconic role of Edmund beautifully.
The decision to portray Aslan with both a puppet and an actor is unusual, but works perfectly, humanising the dramatic moments of his ultimate self-sacrifice. Katy Stephens is a formidable White Witch, with Shane Anthony Whiteley playing unexpectedly terrifying Maugrim.
Making use of all the potential of true theatrical magic, every element of stagecraft in this production is polished to perfection, creating an unforgettable night at the theatre for all ages.