REVIEW: Tartuffe (Remixed)

Reading Time: 2 minutesMolière’s Tartuffe, adapted and directed by Darren Raymond in Tartuffe (Remixed), brings the classic comedy into a vibrant Nigerian household in the lead-up to a wedding.

Reading Time: 2 minutes

Rating: 4 out of 5.

The funniest play in London


There is something special about a comedy that continues to feel relevant more than 350 years after it was first performed. Molière’s Tartuffe, adapted and directed by Darren Raymond in Tartuffe (Remixed), brings the classic comedy into a vibrant Nigerian household in the lead-up to a wedding.

Raymond, who is renowned for reworking Shakespeare and is also Artistic Director of Intermission Youth, a charity providing theatre training for young people, breathes new life into the material. What stands out most is the cast’s interpretation of the text and the sheer energy they bring to the stage.

Against the backdrop of Nigerian wedding celebrations, the play explores themes that feel timeless: the role religion plays in our lives, the richness of tradition, generational differences and, ultimately, the complicated love shared between family members. Nigerian culture is woven throughout the production, from the family dynamics to the wonderfully vibrant costumes, which bring colour and a real sense of warmth and celebration to the stage.

The script itself is sharp and witty, with clever wordplay throughout. Admittedly, the comedy takes a little while to find its rhythm in the first act, but once it does, the production becomes incredibly engaging. By the end of the first half, it reaches a brilliant comedic peak. The second continues this high and there is near-constant laughter, even as the increasingly fraught family dynamics become almost painfully frustrating to watch.

The acting across the cast is extremely strong, but Mark Rylance’s performance is a particular highlight. His physical comedy is exceptional; every movement and expression feels considered, and he disappears completely into the character. At the end of the performance, Rylance also paid tribute to two actors from Intermission Youth who were making their professional stage debuts that evening; a particularly lovely moment given Raymond’s work with the organisation.

Tartuffe (Remixed) is energetic, clever and hilarious, while still finding room to explore family, faith and tradition. Go and see it if you haven’t already. Of all the shows I’ve seen recently, this is the one that has made me laugh the most.

Tartuffe (Remixed) performs at Marylebone Theatre until 24 October. Tickets here

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