Ella Thornburn

Ella Thornburn

REVIEW: Please Right Back

Reading Time: 2 minutesInternationally acclaimed theatre company 1927 situated audiences in their wacky, transformative world from the moment of entering the auditorium.

REVIEW: MotherHood

Reading Time: 3 minutesAs I took my seat in Oxford’s Burton Taylor Studio, I was instantly struck by how many people my age had come to see MotherHood. It's not often that a new one-woman play in a small theatre attracts the 15- 20 year old demographic, though MotherHood was sold out for a second night running, following public demand for more. The second the play began, it was obvious why. Against a projected backdrop of Oxford’s streets, verbatim recordings played the voices of teen boys, sharing their experience growing up ‘in endz’. Instantly I was taken aback by the familiarity of these testimonies; if you’d had told me these were my old classmates speaking I would have believed you. 

REVIEW: Pigeons in Transit

Reading Time: 3 minutesWriter and performer Hannah Fredsgaard-Jones’ one woman show demonstrates just this, depicting the universal struggle between denial, fear and hope through ingenious use of storytelling and creativity. Dressed in bubblegum blue doc martens and a bright orange gilet- she is a picture of the modern woman. Her apartment is furnished with a large, hot pink inflatable plastic sofa, and a coffee table displaying an aspirational selection of books- ‘How To Fail’; ‘Mending Life’ and ‘How To Read A Tree’ to name a few. However, as she paces around her flat in an agitated manner before using the book stack as a stand for her iphone, it seems the curiosity these titles suggest has been abandoned in the face of despair.