Jason Showdie

Jason Showdie

I've adored theatre since I was a young (and, let's face it, precocious) child. Challenges growing up meant that theatre became a safe haven of escape and connection in equal measure. I grew up in the South West of Devon, a stone’s throw away from the beautiful coast, in a village not far removed from the world of This Country, so it was certainly never dull. I took the leap to move to the big smoke in 2017 and spent three years (or most of it, thanks Covid) training on the BA Acting Course at Italia Conti. I've always enjoyed writing and have done as much of it on the side as time has allowed; poetry, screenplays, musical theatre - you name it, I've got a dustbin somewhere full of it. Most of my time now is split between teaching and working in marketing (and watching as much theatre as possible, of course!). For me, it's all about communication and the story is the point. I'm very excited to be contributing to a company focused on fresh, young perspectives and improving accessibility to the world's leading theatre scene.

REVIEW: Jarman

Reading Time: 2 minutesA touching piece about what it means to choose to be a maverick rather than a conformist, Jarman—the vital story of the life of the eponymous film director, stage designer, author and gay rights activist—is a perfect fit for the theatre’s Boys! Boys! Boys! season.

REVIEW: The Tempest

Reading Time: 3 minutesThe Tempest is a play that can be taken either way, but Sean Holmes’s staging leans firmly in to the comedy—and it’s a hoot. Huge yellow crates, plentiful rubber ducks, and Ibiza-stag-do vibes abound in this colourful production which plays to the crowd with the joy and aptitude one expects from a Globe ensemble. The moments of playfulness, silliness, and superb ad-libbing are hilarious and feel as if they were discovered organically in what I can only assume was a delightful rehearsal process. 

REVIEW: Yeast Nation

Reading Time: 2 minutesIt’s hard to describe Yeast Nation in a few words. It’s set in 3,000,458,000 B.C., when the world’s first salt-eating yeasts are led by an ageing king unwilling to face their decline in saline. It’s a story tackling love and hope and inevitable evolution.

REVIEW: Freud’s Last Session

Reading Time: 3 minutesFreud’s Last Session promises debates on love, sex, and religion, and it certainly delivers - with more besides. Mark St. Germain’s writing, complemented by Peter Darney’s direction, weaves smartly through each new subject so that you only realise you’re somewhere new once you’re already there.