Jason Showdie

Jason Showdie

I've adored theatre since I was a young (and, let's face it, precocious) child. Challenges growing up meant that theatre became a safe haven of escape and connection in equal measure. I grew up in the South West of Devon, a stone’s throw away from the beautiful coast, in a village not far removed from the world of This Country, so it was certainly never dull. I took the leap to move to the big smoke in 2017 and spent three years (or most of it, thanks Covid) training on the BA Acting Course at Italia Conti. I've always enjoyed writing and have done as much of it on the side as time has allowed; poetry, screenplays, musical theatre - you name it, I've got a dustbin somewhere full of it. Most of my time now is split between teaching and working in marketing (and watching as much theatre as possible, of course!). For me, it's all about communication and the story is the point. I'm very excited to be contributing to a company focused on fresh, young perspectives and improving accessibility to the world's leading theatre scene.

REVIEW: In Other Words

Reading Time: 3 minutesThis is a phenomenally good show. In many ways, it’s incredibly simple. It explores the effects of Alzheimer’s on one couple, Arthur and Jane, and tracks their journey from meeting to “the incident” to dementia’s inevitable conclusions while demonstrating the unbelievably powerful effect of music. The set is mostly bare—two old armchairs and a lamp—and it’s only a two-hander, yet the show succeeds in building out its world and packing its punches. 

REVIEW: Merrily We Roll Along

Reading Time: 3 minutesMerrily We Roll Along is not an easy show to pull off. The story starts in 1980 and gradually works its way back to 1955, charting a journey from corrupted aspirations back to college optimism. It’s a story about dreams—their allure and their elusiveness, growing up, and how friendships survive. If they do. It’s an ambitious show for the National Youth Music Theatre to attempt; after all, these characters spend most of the time at an age far exceeding that of their actors. And, it’s a Sondheim. Fortunately for us, this production is a sure-fire success.

REVIEW: FRAY

Reading Time: 2 minutesFRAY is a story of two brothers learning how to navigate reality as they grow up. Using the world of video games as a language to explore what it means to battle monsters and head out on your own Hero’s journey, this energised show fusing hip-hop dance, music and moving visuals aims to teach us that all we ever needed was inside us all along. It’s an electric production, but we know the ending already.

REVIEW: Twelfth Night

Reading Time: 3 minutesViola lands on the shore of Illyria after losing her twin brother in a shipwreck. She dresses as a boy, calls herself Cesario and goes to work for a rich Duke called Orsino. What follows is brilliantly ordered chaos in which we find a love triangle, mistaken identity (of course) and ye olde classic resolution device of marriage to wrap it all up. It’s a story that has entertained audiences for centuries and this showing is no exception.

REVIEW: Dinner with Groucho

Reading Time: 2 minutesT. S. Eliot and Groucho Marx were unlikely pen pals, corresponding for three years until they met in June of 1964. The reports say that Groucho reread King Lear so he could hold his own in conversation; Eliot was more interested in talking about Duck Soup. This meeting is the inspiration for Frank McGuinness’s newest play which revels in the imagined repartee of these two giants of their field.