IN CONVERSATION WITH: Steven Bamidele

Reading Time: 4 minutesWe sat down for an exclusive interview with Stephen Bamidele, a Nigerian-born, London-based singer, songwriter, musician, and producer.

Reading Time: 4 minutesWe sat down for an exclusive interview with Stephen Bamidele, a Nigerian-born, London-based singer, songwriter, musician, and producer.

Reading Time: 2 minutesSet in Dublin, the story follows Guy, a disillusioned street musician ready to give up on music, and Girl, a Czech immigrant who coaxes him into believing in his talent.

Reading Time: 3 minutesThe girls' bathroom has had something of a moment in the theatre lately, and it's not hard to see why.

Reading Time: 2 minutesAt once meditative and deeply visceral, the double bill presented by 99 Art Company at The Place unfolded less like a conventional evening of dance and more like a carefully constructed ceremony of memory, grief and endurance.

Reading Time: 3 minutesKrapp’s Last Tape by Samuel Beckett starring Gary Oldman/ Godot's To-Do List by Leo Simpe-Asante at Royal Court Theatre five star review

Reading Time: 3 minutesWe sat down for an exclusive interview with Hannah Khalil to discuss her new play 'Love Omar'.

Reading Time: 2 minutesWe Weren’t Innocent, We Were Girls is a masterpiece. Going far beyond its seemingly simple plot, an American podcaster looking into the events leading to the murder of a teenage girl, Lucid Blue Stories will leave you utterly speechless.

Reading Time: 2 minutesThe Witching Hour is a spine-tingling success. James Williams’ original show is not for the faint of heart; somehow he has managed to bring the best of silver screen horror to the stage.

Reading Time: 3 minutesZach Zucker performs under the alias Jack Tucker and is perhaps best known for emceeing Stamptown, the comedy-cabaret-vaudeville-circus-musical-armageddon revue that rocks the Fringe every year and tours the world to great acclaim.

Reading Time: 2 minutesThis is our first encounter with Carlos's brand new, now two-act adaptation of Carmen, which he developed from his one-act production in 2015, based on Bizet's opera score.