REVIEW: Simon & Garfunkel Through The Years In Concert

Reading Time: 2 minutesCapital Theatres played host this week to what could be the closest thing we can get in 2024 to a live performance from folk music legends, Simon and Garfunkel.

Reading Time: 2 minutesCapital Theatres played host this week to what could be the closest thing we can get in 2024 to a live performance from folk music legends, Simon and Garfunkel.

Reading Time: 2 minutes"Some Enchanted Evening," performed by The English Musical Theatre Orchestra, was a delightful homage to classic musical theatre, featuring a full 26-piece orchestra playing the original arrangements of beloved songs.

Reading Time: 2 minutesWritten by Martha Watson Allpress, and directed by Emily Aboud, Lady Dealer is a trip inside the head of Charlie (Alexa Davies), an entrepreneur in the line of drug dealing, operating out of a council estate in Peckham. We follow Charlie through the course of a day where life gets on top of her as she processes a recent break up, and deals with a power cut and phones with no battery - in which she muses on her life and the people she brushes shoulders with day to day.

Reading Time: 3 minutesImagine yourself sitting inside Sadler's Wells, enveloped in absolute darkness and serenity. A baritone voice begins to hum Shubert’s art songs filled with suspense and sorrow. Suddenly, your hearing becomes extraordinarily sharp, almost as keen as a beast's. You hear someone coughing, someone sighing, and another zipping up their jacket. You feel a bit annoyed: is the audience always this loud and noisy? This sensation creates awareness and alienation: you belong to a group sharing the same state—the audience—yet it is you who feels that such state is disturbing, preventing you from enjoying the show. You are alone.

Reading Time: 2 minutesManchester Collective's rendition of Rothko Chapel (and other commissioned pieces) was an immersive journey through colour, sound, and vibration, masterfully curated by Creative Director Rakhi Singh in a concert hall that echoed with form and silence, setting the stage for an unforgettable experience.

Reading Time: 2 minutesIn Sami Ibrahim’s new play, directed by Olivier award-winning director Jaz Woodcock-Stewart, three Westerners prepare to provide humanitarian aid in an active warzone.

Reading Time: 2 minutesLife of Pi is the epic tale of seventeen-year old Pi, recounting his experience of finding himself on a small boat in the middle of the ocean as the sole survivor of a shipwreck. It’s a classic story known to many people as the book or film, and may in theory not seem the most suited to the stage, but in reality that couldn’t have been further from the truth. This show is an incredible adaptation, and has been designed so brilliantly with no illusion too difficult; the audience were captivated from start to finish.

Reading Time: 2 minutesExpatriated is a uniquely candid portrayal of what it is to move abroad. It highlights how experiences vary based on where you move to, your country of origin, or even your race. It looks at how different people are treated when they are viewed as an immigrant rather than an expat.

Reading Time: 2 minutesA little before kick-off at the Euros 2020 final between England and Italy, a young man stuck a flare up his butt. It sounds fake, like something out of a movie, but it genuinely did occur. This man went viral, was tracked down by the Sun, and stated that he regretted nothing. The man was a talked-about spectacle for a brief period, following which the world moved on to the next sensational news event. Alex Hill, however, took this event and ran with it. Thus, Why I Stuck a Flare Up My Arse for England was born.

Reading Time: 2 minutesThe acting is, for all intents and purposes, stellar. There are one or two moments in the first portion of the play, where several of the main cast are playing children, where some of the “childlike” exuberance of several characters can come across as a little forced, but this is a fleeting and minor concern. There is an undeniable presence to all of the actors on stage, and it is comforting to see them take their time with their parts, allowing character to unfold parallel with plot in a way that seems natural and fitting. Of particular note as a standout performance, I found Dean Rehman’s Baba to be excellently delivered as a complicated, sympathetic character, especially in a relatively moderate role.