Manmeet K Walia

REVIEW: Get it On

Published on May 12, 2024 by Manmeet K WaliaLeave a comment

Glamour, Groove and Whole Lotta Rock!

“Get It On – Night of Glam Rock” presents itself as a homage to an era that defined a generation. Steeped in the essence of the 70s Glam Rock movement, this nationwide tour promises an immersive experience, transporting audiences back to a time when music was more than just sound—it was a statement, a lifestyle, and a rebellion against convention.

As the first notes reverberate, the audiences are met with an ambiance that is both nostalgic and electric. The air crackles with anticipation, and the crowd exudes a sense of reverence for the music that shaped an era. From the glittering sequins to the flamboyant feather boas, every detail of the costumes of the performers pays homage to the extravagant aesthetic of Glam Rock.

Yet, beyond the spectacle of fashion lies the heart of the show—the music. Featuring the iconic hits of T.Rex, Slade, Bowie, Wizzard, Sweet, and more, “Get It On” offers a sonic journey through a time of artistic revolution. Each chord struck and each lyric sung serves as a testament to the enduring legacy of these legendary bands, reminding audiences of the power of music to transcend time and space.

One cannot overlook the gender differences inherent in the Glam Rock era, where androgynous fashion blurred the lines between masculine and feminine. This aspect of the show serves not only as a reflection of the era but also as a celebration of diversity and self-expression—a reminder that true art knows no boundaries.

As the music reverberates through the venue, attendees find themselves swept up in a whirlwind of energy and emotion. The infectious beats and catchy melodies inspire spontaneous sing-alongs and impromptu dance-offs, fostering a sense of camaraderie among strangers united by their love for the music.

However, amidst the euphoria, there were moments where the volume of the mic may seem overwhelming. While this minor flaw may briefly disrupted the experience, it was a small price to pay for the opportunity to witness such a spectacle of sound and vision.

As the night draws to a close, as an audience, I emerged from the venue with a newfound appreciation for the Glam Rock era and the artists who defined it. Their spirits uplifted and their hearts full, they carry with them memories of a night spent in the company of legends, where music served as a catalyst for joy, liberation, and self-discovery.

In conclusion, “Get It On – Night of Glam Rock” is more than just a concert—it is a celebration of an era, a culture, and a movement that continues to resonate with audiences to this day. Through its captivating blend of music, fashion, and nostalgia, the show offers a poignant reminder of the enduring power of art to inspire, uplift, and unite us all.

Photo by Natasha Vasandani for Grey Beanie Productions

REVIEW: Hits and Pieces #5 (Spice Girls)

Published on April 16, 2024April 16, 2024 by Manmeet K WaliaLeave a comment

Every performance unveils a world of laughter, reflection, and no secrets kept!

Hits and Pieces #5 (Spice Girls), brought to life by the Matchstick Theatre Company, delivers a joyous and inventive concept where writers craft compelling narratives inspired by beloved songs. In its fifth edition, the spotlight shone brightly on the iconic Wannabe track by the Spice Girls, igniting a jubilant celebration of music and nostalgia.

Within this vibrant showcase, audiences were treated to four distinct plays, running for approx. 15 mins each, ingeniously drawing from the infectious energy of the Spice Girls anthem. These productions delved into a rich tapestry of themes, from the complexities of relationships to the quest for individual identity, all while skilfully blending humour with poignant reflections on weighty subjects.

The creative synergy between the timeless melodies of Wannabe and the inventive storytelling showcased in each play was palpable, infusing the evening with an irresistible charm. Through witty dialogue, dynamic performances, and imaginative staging, the production breathed new life into familiar tunes, leaving audiences both entertained and deeply moved.

The first play, Gotta Get with My Friends, written by Sophie Underwood and directed by Mark Daniels, featured a comedic performance by Aaron Phinehas Peters and Emma Read, who also happens to be the playwright of the third play. Their delivery, brimming with witty references to Spice Girls lyrics such as if you wanna be her lover, you gotta get with her friends, left the audience in stitches. Amidst the laughter, the script adeptly tackled profound themes of infidelity and the intricate dynamics of contemporary relationships. The play delved into issues faced by couples and men, skilfully weaving in elements of mid-life crisis and the necessity to rejuvenate relationships.

In contrast, the second play, ‘Ginger’ written by Annette Brook and directed by Natasha Vasandani centred on women’s issues, featuring a black protagonist recounting her experiences while waiting in line at Boots. Performed through a combination of monologues and dialogues by Roli Okorodudu, the play illuminated underlying themes of race and identity, skilfully weaving the influence of the Spice Girls into its narrative.

The third play, ‘Tomorrow Land Tomorrow Land Tomorrow Land’ took a humorous jab at serious cults and obsessions, drawing parallels to Walt Disney and exploring the concept of nostalgia and its effects on society. With witty dialogue and clever satire, the play entertained while also providing thought-provoking commentary on our cultural obsessions.

And the fourth performance, ‘Friendships Never Ends’ took a unique approach by personifying objects from a Spice Girls pencil case, engaging in a conversation about memory, time, and the transition from childhood to adulthood. Through the interactions between the pencil and rubbers, the play poignantly captured the passage of time and the bittersweet nostalgia associated with growing up.

Throughout the entire evening, the first play remained my personal favourite. However, what truly captivated me about the show was its concept. Hits and Pieces presents each set of short plays only once, introducing an element of ephemerality to the experience (provides a sanctuary where no secrets are kept hidden! ;)) It’s intriguing to contemplate how the writers, directors, and performers seamlessly transition between roles, wearing many hats within the production. Moreover, the audience’s involvement in selecting the song for the next performance through a public vote adds an interactive and dynamic dimension to the show. showcase of artistic talent but a testament to the transformative power of music and theatre in exploring the human experience.

Their next performance is slated for June, celebrating the pride month. Stay tuned to their social media channels for updates and announcements!

REVIEW: balletLORENT: The Velveteen Rabbit

Published on April 7, 2024April 7, 2024 by Manmeet K WaliaLeave a comment

A timeless classic and a celebration of the human spirit and the transformative power of love

In the world of children’s literature, few tales hold the enduring charm and emotional resonance of Margery Williams’ “The Velveteen Rabbit.” This timeless story, with its poignant themes of love, transformation, and the journey of growing up, has captivated hearts for generations. Bringing this beloved narrative to life on the stage is no small feat, but in the form of a balletLorent style, it achieves a transcendent beauty that enchants both young and old alike.

The ballet rendition of “The Velveteen Rabbit” at Sadler’s Wells, is a childhood classic reborn, blending the magic of dance with the whimsy of Williams’ words. From the moment the curtains rise, audiences are transported into a world of happy times and cherished memories, as the tale unfolds through graceful movements and expressive choreography. The familiar characters of the story come to life on stage, from the endearing Rabbit to the wise old Skin Horse, each brought to vivid life by the talented dancers donned in artistic costumes.

One of the most enchanting aspects of the performance is its ability to evoke a sense of nostalgia and wonder, reminiscent of the innocence and imagination of childhood. Through imaginative sets and whimsical costumes, the audience is invited into the enchanting world of a young boy’s playroom, where toys come to life and dreams take flight. It’s a magical journey that resonates deeply with both children and adults, tapping into the universal longing for connection and belonging.

At its heart, “The Velveteen Rabbit” ballet is a celebration of the human spirit and the transformative power of love. What sets this performance apart is its ability to blend humor and heartache seamlessly, crafting a narrative that is both delightful and deeply moving. Through moments of whimsy and laughter, the ballet invites audiences to revel in the joy of childhood innocence, while also exploring the bittersweet reality of growing up and letting go. However, there are moments within the performance where some audience members may find themselves feeling disconnected from the narrative.

In the end, “The Velveteen Rabbit” ballet is more than just a performance—it’s a journey of the heart that reminds us of the beauty and wonder of childhood. Through its timeless themes and enchanting storytelling, it speaks to the child in all of us, inviting us to embrace the magic of love, imagination, and the power of believing in what is real. The performance concludes with a moment of pure magic. Without giving away too much, suffice it to say that the surprise ending is sure to leave children happy.

REVIEW: Indigo Giant

Published on March 22, 2024March 21, 2024 by Manmeet K WaliaLeave a comment

A poignant storytelling that will leave you in tears.

Soho Poly’s reemergence into the professional performance scene after the ’90s is marked by a poignant and evocative production, ‘Indigo Giant’. Written by Ben Musgrave and directed by Gavin Joseph, this play transcends mere storytelling to become a visceral experience that leaves audiences emotionally stirred.

Set against the backdrop of pre-divided India and Bangladesh, ‘Indigo Giant’ navigates through layers of time and space, interlacing together elements of an old-school love with the haunting echoes of a colonial past that reverberate into the present. One part of narrative, set in late 19^th century, delves deep into the forced atrocities, manipulations by the colonizers that ruined the fabric of the region further bringing up the complexities in the simplicity of life. The other part, is set around present-day textile industries in Bangladesh, shedding light on issues of labor law, sustainability, the commodification of women, exploitation, forced suicides, and poverty which are the residues of colonization.

What makes ‘Indigo Giant’ truly compelling is its ability to confront these entrenched evils with unflinching honesty. The play doesn’t shy away from the dark realities that plague the region, presenting them with raw authenticity. Through the characters’ journeys, we are confronted with the harsh truths of a society grappling with its past while trying to carve out a future.

Meeting Ben Musgrave, the playwright, after the performance provided a unique insight into the creation of ‘Indigo Giant’. His experiences in Bangladesh, filtered through the lens of a white outsider, add another layer of complexity to the narrative. It becomes evident that the play is not just a work of fiction, but a reflection of real-life struggles observed through a particular perspective.

The performances in ‘Indigo Giant’ are nothing short of stellar wherein they have captured the cultural subtleties. The cast breathes life into their characters, imbuing them with depth and nuance. Each interaction crackles with intensity, drawing the audience deeper into the emotional landscape of the story. The chemistry between the actors is palpable, enhancing the authenticity of their portrayals. However, for audiences with limited historical context, grappling with the intricacies of this struggle can be challenging.

Gavin Joseph’s direction deserves praise for its seamless integration of various elements. The staging is minimalistic and simple, which gives a space to imagine. The transtemporal storytelling across time and space, adds layers of visual and auditory texture to the narrative.

At its core, ‘Indigo Giant’ is a testament to the power of theatre as a medium for social commentary and introspection. It challenges audiences to confront uncomfortable truths and encourages dialogue about pressing issues that often remain shrouded in silence. In a world rife with inequality and injustice, this play serves as a poignant reminder of the importance of empathy, understanding, and collective action.

In conclusion, ‘Indigo Giant’ is a triumph of storytelling, shining a spotlight on the complexities of the human experience while offering a glimpse into the soul of a region marked by its tumultuous history. It’s a play that will linger in the minds and hearts of audiences long after the final curtain falls, leaving them both moved and aware.

REVIEW: Odyssey: A Heroic Pantomime

Published on November 30, 2023November 30, 2023 by Manmeet K WaliaLeave a comment

Engaging and entertaining classical chaos and a mythological rollercoaster that’ll leave you in splits!

Charles Court Opera and Jermyn Street Theatre join forces to create Odyssey: A Heroic Pantomime, an epic adventure that takes a wild spin on the literary classic, the Odyssey. Rewriting the heroic tale with a mixed up plot turned the Odyssey into a rollicking pantomime extravaganza throwing the tradition overboard. The Boutique Pantomimes have long been a Christmas tradition for the city and this one takes its viewers on a journey to find the lost ruler, Odysseus.

The fab five cast, including the versatile performers Amy J Payne, Emily Cairns, Meriel Cunningham, Rosie Strobel, and Tamoy Phipps, are like a theatrical dream team. With a sprinkle and a dash of hilarity, they transform into a multitude of characters, each more entertaining than the last. And let’s not forget the percussion, Dave Jennings, who adds the beat to this mythological mashup.

This unique take on the classic tale is not just a theatrical adventure; it’s a comedic rollercoaster where humour reigns supreme. The jokes come at you rapidly, leaving little room to digest the puns on contemporary issues. They hit the room in sporadic bursts, potentially the only connection for those who are not acquainted with the historical context. Concentration is key because the punchlines are flying at you like mythical creatures on a caffeine binge, but with a certain sense of unknowingness if one is not familiar with the classical literature.

The visuals are humorous, with the performers hitting the stage flaunting ensembles with undeniable flair, showcasing their creativity through inventive costumes. Dionysus, the ancient Greek god of wine, steals the show with a quirky look featuring a drinking helmet, a straw, and a platter. The costumes aren’t just outfits; they’re statements.

Currently staged at Jermyn Street Theatre, the proximity to the stage and the delivery of the performance makes you feel like an integral part of the show. Trust me, if you want a front row seat (without the awkward neck craning), you’re practically in the thick of the action! The stage is so close, you could probably join the cast for a dance number. With that being said, the show leaves you with a delightful abundance of surprises, dance-worthy moments, and a happy spirit to carry away with you. Did I have a good time? Hell, yeah!

REVIEW: Ain’t Too Proud

Published on July 14, 2023July 20, 2023 by Manmeet K WaliaLeave a comment

This musical captures the soul-stirring journey of The Temptations – an invigorating celebration of music

“Everyone dies but the music stays alive” the final lines by the narrating character, Otis Williams, brings out the essence of The Temptations’ spirit. Based on the book written by Dominique Morisseau, Ain’t So Proud– the musical captures the life journey of the famous Black American band, The Temptations, from the streets of Detroit to one of the most successful bands of their time. It recounts the struggles and victories the performers overcame throughout their careers, including interpersonal problems, the civil rights movement, and the shifting face of the music business.

As I stepped into Prince Edward Theatre, I was greeted by its magnificent splendour adorned with opulent Art Deco architecture, a breath-taking fusion of red and gold. To experience a performance that tells the story of the Black movement through the universal language of music within such a setting is a celebration within its own right. The Prince Edward Theatre is located in central London with a vast capacity; to a large extent seemed to have non-interrupted views, with areas allotted for a private experience. However, the masterful black and white projection combined with impeccable light design effortlessly transports you to the glorious era of The Temptations, enveloping you in a captivating time capsule that makes you experience the time, as if dancing with the footsteps of legends.

Each performer brought an unmatched degree of brilliance, honesty, and charisma to their parts, and the performances of all the characters were nothing short of extraordinary. While re-enacting the band’s journey, the choreography paid intricate attention replicating the signature moves of the band. Having said that, lead singer characters Al and David Ruffin carried the most impactful and melodious voices. The musical seizes the group’s love for music eloquently through it’s great hits including ‘Ain’t Too Proud to Beg’, ‘Papa was a Rolling Stone’, ‘Just my Imagination’, and ‘My Girl’ to name a few. The musical portrays The Temptations were rather a ‘movement’, not merely a musical group, during the revolutionary era of the 1960s and 70s while looking from the lens of Black cultural significance. However, I felt a miss of female representation, inadvertently overshadowing the invaluable contributions of women. Having said that, the within its all-round performance, a rather captivating rendition as a concert of The Temptation’s ever-alive music makes you want to dance through and through. I’d like to end by quoting a scene from the performance that, in my opinion, captured the soul of the production: “The music is colourblind… You don’t have to be an activist to make a difference.”