Reading Time: 2 minutes“a superb four-hander for a deep wound both in family and in capitalism” In a way, Arthur Miller’s The Price revolves around one simple question: is the police officer in uniform a projection of your father as the archetype,…
Reading Time: 2 minutesBlasphemous, bonkers and brilliantly queer Following on from last year’s breakout Fringe run, Jeezus! returns for its second coming in London this spring, and it does so with even more sparkle, swagger, and subversive bite. Directed by Laura Killeen,…
Reading Time: 2 minutesConteh at Liverpool’s Royal Court was a thoroughly engaging production, based on the life of real-life local boxing legend John Conteh - the venue pulls out all the stops.
Reading Time: 3 minutesWhy do people kill? Blending elements of pent up rage, opportunistic objects, and self-defense to justify heinous acts, two short plays explore the notion that any one of us can kill another, given the right set of circumstances.
Reading Time: 3 minutesJenkin delivers a tour-de-force time-slip fantasy, rugged and unkempt as the seas on which it’s set, but with a twinkling heart which floats well above the waterline. Seven years after his seminal BAFTA winning debut Bait, Mark Jenkin returns…
Reading Time: 2 minutesFuelled by spoken word and banter, Lorraine Adeyefa’s lively performance blends the playful and the painful, exposing the open wounds of a young Black woman’s search for love.
Reading Time: 3 minutesThe production of Thrill Me at Waterloo East Theatre brings a raw, up-close feel to a musical that has already become a massive cult hit across Asia.
Reading Time: 3 minutesIn 2014, the UK’s first legalised red light district was trialled in Leeds, a scheme which was referred to as the “managed approach”. This sterile term is where Jules Coyle’s show takes its name from
Reading Time: 2 minutes“Attachment Theory”, written by Liam Scanlon and directed by Dom Stephens, explores the undulating forms of queer attachment and how it can tear a relationship apart.
Reading Time: 2 minutesA richly intelligent excavation of early cinema’s dream logic that fascinates throughout, even as its length and restraint hold it back from full sensory immersion At BFI Southbank, Kinaesthesia arrives as both film and manifesto. Directed by…