Reading Time: 3 minutesOutstanding reflection of life meeting death “Six in total. Four for the flames, one for me, and one witness cremation…busy. Alright, let’s get started.” Thus begins “Living With The Dead”, written by Cosette Bolt, and directed by…
Reading Time: 2 minutesIsobel McArthur's Pride and Prejudice* (*sort of) is an inventive and modernised take on the classic novel, blending humour and a touch of musical flair to create an unforgettable theatrical experience.
Reading Time: 5 minutesBriony Martha and Zak Reay-Barry “Do Astronauts Masturbate in Space?” (aka “DAMIS?”) is their first joint writing venture, premiering at this year’s Edinburgh Festival Fringe. a dystopian dark comedy, set in a very bonkers Britain where due to overpopulation, everyone now needs a licence, or a “Stork Card” to have kids.
Reading Time: 2 minutesA peek behind the curtain with the one-of-a-kind storyteller. Tim Rice is one of the most famous lyricists ever and definitely a household name for musical fans. Everyone will have their favourite show or film that he…
Reading Time: < 1 minuteEdinburgh’s circus arts scene continues to grow and evolve as CIRQULATION, Scotland’s circus cabaret night, marks its 10th edition with a performance at Assembly Roxy on Sunday 27 April 2025 at 6pm.
Reading Time: 5 minutesLIVING WITH THE DEAD, written by Cosette Bolt and directed by Matthew Attwood will perform at Augustine United Church, Edinburgh. A Youngish Perspective holds this exclusive dialogue with Cosette and Matthew.
Reading Time: 2 minutesCalamity Jane contains the moral of making the best of situations. Maintaining inclusivity to the underdogs and giving everyone a second chance- a sentiment that holds value today.
Reading Time: 2 minutes A stirring evening of music The Scottish Chamber Orchestra Strings and Chorus captivated a packed Greyfriars Kirk on Saturday evening with a powerful Special Event performance of James MacMillan’s Seven Last Words. The hour-long programme was rich in…
Reading Time: 2 minutesSarah Roberts is determined to unapologetically be her (hot, talented and baffling) self Sarah Roberts is hot and talented. Those are the two takeaways she sets out at the start of Silkworm, her now-touring 2024 Edinburgh Festival…
Reading Time: 3 minutesA charming but risk averse production of one of the more flawed G&S operettas The Sorcerer remains one of the middling Gilbert and Sullivan operettas, not necessarily in quality but in popularity. It sits neither on the…