REVIEW: Arlington

Reading Time: 3 minutesFirst performed in Galway in 2016, Enda Walsh’s three-act play is a mishmash that collides traditional theatre with dance theatre to tell the story of Isla.

Reading Time: 3 minutesFirst performed in Galway in 2016, Enda Walsh’s three-act play is a mishmash that collides traditional theatre with dance theatre to tell the story of Isla.

Reading Time: 3 minutes‘Boys’ by Ella Hickson is a play about masculinity, friendship, adulthood, and taking a stand for what’s important. First performed in 2012, this 2025 performance by Northern Assignment held its audience captive throughout its two-hour run, and is performed by a cast you don’t want to miss.

Reading Time: 2 minutesA striking and unsettling production, Black Hole Sign features standout performances and a raw exploration of human fragility under hospital bureaucracy. Uma Nada-Rajah’s Black Hole Sign plunges the audience into the relentless chaos of a hospital ward—crumbling inside and…

Reading Time: 2 minutesAn uproariously funny piece of comedy, complete with robots, Olympic champions, and a strong, clear message to take home.

Reading Time: 7 minutes‘The Naked Neds’ follows a group of Glasgow lads as they navigate the turbulent aftermath of their best friend’s suicide. In a world where politicians’ expenses seem to matter more than NHS waiting lists, they decide to take matters into their own hands.

Reading Time: 5 minutesBottoms is the newest work from Two Destination Language and explores the tradition of Can-Can, which makes its World Premiere as part of Dance International Glasgow, 14 - 15 May, 2025.

Reading Time: 3 minutesThe performance was equal parts virtuosic and moving.

Reading Time: 3 minutesThe Studio3 season, presents new work from some of the most exciting playwriting voices working in Scotland today. Alright Sunshine, Fleg, and Fruitcake.

Reading Time: 6 minutesGlasgow based playwright Milly Sweeney and actress Sally Reid are coming together for the new play Water Colour.

Reading Time: 2 minutesThe show opened with the wonderful Anna Clyne’s Glasslands, full of Irish myth and wonder. It was the first of many extremes of the night and set a fantastic tone for the Shostakovich symphony to come.