REVIEW: Let the Right One In
Reading Time: 3 minutesEmotionally intelligent, visually assured, and anchored by outstanding performances
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REVIEW: The Misfits
Reading Time: 3 minutes"A great performance piece, especially from Monroe"
REVIEW: Double Bill: Down to Chance/Sorry I Broke Your Arms and Legs
Reading Time: 2 minutes“What begins as chaos resolves into something precise, controlled, and quietly devastating.” DOWN TO CHANCE “A relentless comic performance that sustains its momentum right through to the final beat.” Sorry (I Broke Your Arms and Legs) At…
REVIEW: Kinaesthesia + Q&A with Gerald Fox
Reading Time: 2 minutesA richly intelligent excavation of early cinema’s dream logic that fascinates throughout, even as its length and restraint hold it back from full sensory immersion At BFI Southbank, Kinaesthesia arrives as both film and manifesto. Directed by…
REVIEW: Iphigenia
Reading Time: 2 minutesAt Arcola, Iphigenia starts from a simple premise: the most frightening men are often the most convincing.
FEATURE: Lynn Seymour- A Trailblazer Remembered
Reading Time: 2 minutesOn International Women’s Day, the Women’s Voices Arts & Culture Festival opened its programme at the Playhouse Theatre with an evening dedicated to the formidable legacy of Lynn Seymour, a dancer whose dramatic intensity helped reshape narrative ballet in the twentieth century.
REVIEW: Why I am and why I am not
Reading Time: 2 minutesIn the civic imagination, a balcony suggests authority: a ruler greeting the crowd, a politician delivering promises, a monarch acknowledging applause. In Why I Am and Why I Am Not, the balcony of the old town hall becomes something else entirely. It becomes a place for ordinary declaration.
REVIEW: Lambslaughter
Reading Time: 2 minutesambslaughter is a dark comedy-drama set in a Catholic girls’ school in Merseyside in 2013. The play follows two sixth-formers, Chloe and Jade, and their increasingly blurred relationship with their English teacher, Mr Barrett.
REVIEW: What I’d Be
Reading Time: 3 minutes A showcase for two finely tuned performances and a thoughtful exploration of sisterhood under strain In the intimate upstairs room of the Jack Studio Theatre in Brockley, What I’d Be sets itself a deceptively simple task. Written…
REVIEW: ENO’s Cosi fan tutte
Reading Time: 2 minutesENO’s production of Mozart’s Così fan tutte returns to the London Coliseum. ENO (English National Opera ) performs all its operas in English so audiences can understand the drama directly without linguistic barriers.