REVIEW: Indigo Giant


Rating: 4 out of 5.

A poignant storytelling that will leave you in tears.


Soho Poly’s reemergence into the professional performance scene after the ’90s is marked by a poignant and evocative production, ‘Indigo Giant’. Written by Ben Musgrave and directed by Gavin Joseph, this play transcends mere storytelling to become a visceral experience that leaves audiences emotionally stirred.

Set against the backdrop of pre-divided India and Bangladesh, ‘Indigo Giant’ navigates through layers of time and space, interlacing together elements of an old-school love with the haunting echoes of a colonial past that reverberate into the present. One part of narrative, set in late 19th century, delves deep into the forced atrocities, manipulations by the colonizers that ruined the fabric of the region further bringing up the complexities in the simplicity of life. The other part, is set around present-day textile industries in Bangladesh, shedding light on issues of labor law, sustainability, the commodification of women, exploitation, forced suicides, and poverty which are the residues of colonization. 

What makes ‘Indigo Giant’ truly compelling is its ability to confront these entrenched evils with unflinching honesty. The play doesn’t shy away from the dark realities that plague the region, presenting them with raw authenticity. Through the characters’ journeys, we are confronted with the harsh truths of a society grappling with its past while trying to carve out a future.

Meeting Ben Musgrave, the playwright, after the performance provided a unique insight into the creation of ‘Indigo Giant’. His experiences in Bangladesh, filtered through the lens of a white outsider, add another layer of complexity to the narrative. It becomes evident that the play is not just a work of fiction, but a reflection of real-life struggles observed through a particular perspective.

The performances in ‘Indigo Giant’ are nothing short of stellar wherein they have captured the cultural subtleties. The cast breathes life into their characters, imbuing them with depth and nuance. Each interaction crackles with intensity, drawing the audience deeper into the emotional landscape of the story. The chemistry between the actors is palpable, enhancing the authenticity of their portrayals. However, for audiences with limited historical context, grappling with the intricacies of this struggle can be challenging.

Gavin Joseph’s direction deserves praise for its seamless integration of various elements. The staging is minimalistic and simple, which gives a space to imagine. The transtemporal storytelling across time and space, adds layers of visual and auditory texture to the narrative.

At its core, ‘Indigo Giant’ is a testament to the power of theatre as a medium for social commentary and introspection. It challenges audiences to confront uncomfortable truths and encourages dialogue about pressing issues that often remain shrouded in silence. In a world rife with inequality and injustice, this play serves as a poignant reminder of the importance of empathy, understanding, and collective action.

In conclusion, ‘Indigo Giant’ is a triumph of storytelling, shining a spotlight on the complexities of the human experience while offering a glimpse into the soul of a region marked by its tumultuous history. It’s a play that will linger in the minds and hearts of audiences long after the final curtain falls, leaving them both moved and aware.

What are your thoughts?