1. How does it feel to take on the role of Posy Fossil, a character who is so beloved by readers of Ballet Shoes? What aspects of her personality are you most excited to bring to life on stage?

I am so honoured to get to tell Posy’s story and share her with a new audience as well as existing fans of the book! Her drive is always something I really connected with growing up and I love how she unintentionally makes people laugh so I can’t wait to bring those to the stage. I also know there’ll be lots of young children (and adults!) who may have never experienced the world of ballet before, so I can’t wait to introduce them to what was my first love!

2. Posy is known for her passion for ballet and determination to become a great dancer. How did you prepare for this role, particularly in terms of the ballet and dance elements, and what has been the most challenging part of that process?

Posy’s dance journey is so integral to her story, and this was something I was thrilled to get to portray since ballet has been such an important part of my life growing up too. I trained intensely over summer in preparation for rehearsals and I would say the most challenging part was finding Posy’s dance language – everyone has a different way of moving and so stepping out of my ways and creating hers for each style was challenging at first but so fun! 

3. Ballet Shoes is set in a time when opportunities for young women were limited. How do you think Posy’s ambition and drive resonate with modern audiences, especially young girls who might see themselves in her?

My dream with this role is exactly that – for young girls to see that ambition within themselves no matter what their passion is and know that it’s all possible! I think that’s what makes Noel Streatfield’s novel so incredible – it taught girls to dare to dream in a time where opportunities were so limited. And despite there being a lot of progress since then, there’s still a way to go which is why I think it’s so important to remind modern audiences of the same. 

4. This is the first major stage adaptation of Ballet Shoes. How does the production capture the charm and magic of the original book while bringing something new for theatre audiences?

I adored the book growing up, and our show retains all the joy and heart of Noel Streatfeild’s novel! It really is the perfect book for stage – it’s a love letter to performing and theatre gives us the opportunity to create some magical visual sequences that build upon the vivid world from the novel. Our set and costumes transport you straight to the 1930s too – audiences could spend hours admiring all the details!

5. The show features an impressive creative team, including choreographer Ellen Kane and composer Asaf Zohar. How has it been working with such a talented group, and how have they helped shape your portrayal of Posy and her journey as a dancer?

Being surrounded by our creative team each day is so inspiring! Ellen and Asaf’s work have been so linked to Posy’s journey; having their incredible choreography and moving music allowed me to find her dance progression throughout the play. I’m very grateful to get to work alongside people who take such care with their work!