IN CONVERSATION WITH: Ian Chapman Black and Levenka Andrea
Reading Time: 4 minutesWe sat down for an exclusive interview with Ian Chapman Black and Levenka Andrea to discuss 'Reel Life'.
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REVIEW: Memory Keepers
Reading Time: 2 minutesMemory Keepers, the new work by guest artistic directors Kristina and Sadé Alleyne for the National Youth Dance Company, arrives at Sadler's Wells to remind you how much the body also keeps everything else including the grief, the joy, the smell of your mother's moisturiser and the feeling of being pulled back to something you'd half decided to forget.
IN CONVERSATION WITH: Hugh Cutting
Reading Time: 7 minutesWe sat down with Hugh Cutting, performing as Tolomeo in Giulio Cesare.
REVIEW: We, The Women Wild
Reading Time: 3 minutesIt is remarkable what Ellen Davies can build from a bowl of fruit, a length of rope and one uninvited guest.
REVIEW: Drunk Girls Cry Here
Reading Time: 3 minutesThe girls' bathroom has had something of a moment in the theatre lately, and it's not hard to see why.
REVIEW: NIUSIA
Reading Time: 2 minutesMemory arrives in boxes, in fragments, in the cadences of people no longer here. NIUSIA, Beth Paterson's solo show about her late grandmother, a Polish Holocaust survivor, takes this literally.
REVIEW: FLUSH
Reading Time: 3 minutesThe women's bathroom has always operated as a confessional - secrets exchanged between strangers over shared lipstick, governed by the tacit understanding that whatever happens here stays here. April Hope Miller's FLUSH simply formalises the jurisdiction.
REVIEW: Stanislavski Can’t Save Me From the Apocalypse
Reading Time: 3 minutesMaggie Dickinson’s Stanislavski Can’t Save Me From the Apocalypse, produced by Cate Johannessen, is a wildly inventive and darkly comic triumph.
REVIEW: Breakin’ Convention
Reading Time: 3 minutesBreakin’ Convention transforms Sadler’s Wells Theatre into a vibrant hub of hip hop culture that pulses through across the building: DJs, graffiti and informal performances blur the boundaries between audience and artis, reinforcing the festival’s commitment to community and artistic exchange.
REVIEW: La Linea: Lia Kali
Reading Time: 3 minutesThere are gigs that feel like a good night out, and then there are nights that remind you why live music matters in the first place.