REVIEW: A Terrible Show for Terrible People

Rating: 4 out of 5.

“A titillating show for easily titillated people”

You could simply watch the audience during A Terrible Show For Terrible People and be greatly entertained by the full spectrum of what Bonnie He’s one woman performance elicits – nervous tittering, audible cringing behind hands, heads shaking in parental-style disappointment, shocked laughter and plenty of raucous cheering. 

A Terrible Show is equal parts burlesque, pantomime and mime – a practically wordless array of absurd, blatantly sexual physical comedy. Pickles are used exactly how you would expect, bunches of flowers less so. However, despite the incessant sexual twist on every look, gesture and prop, the whole thing maintains a feeling of innocence – He emerges on stage accessorized with a Hello Kitty camera, a focal point of one particularly funny bit of audience participation (FYI, if you’re shy you may want to avert your eyes when He starts scanning the rows for who might be game), and there is more than one cheeky stripping routine but no flesh is ever on display. You could assume that the childlike petulance and unabashed glee juxtaposed with over-the-top suggestiveness is one giant comment on the stereotypes laden on Asian woman in pop culture. This certainly seems apparent at the start of the show, but such is the unpredictability of He’s performance that deeper thoughts are quickly replaced with sheer befuddlement.  

Saying that it is somewhat a relief when the show is over is not a comment on its quality, but more incredulousness over the idea that anything could surpass the disturbing hilarity of the final ‘bit’. You will laugh, you will cringe, you will ultimately root for He’s character in her search for love. What you won’t do is forget this 50 minutes of supremely horny splendour any time soon.

https://tickets.edfringe.com/whats-on/terrible-show-for-terrible-people

REVIEW: Eden Sher – I was on a Sitcom

Rating: 4 out of 5.

A genuinely touching show about pregnancy, hidden behind sitcom marketing.

The biggest issue I can take with Eden Sher’s I Was on a Sitcom is in the title. This is not a show just about being on a sitcom. This is a beautiful, hilarious, and moving show about the potential trauma of complications with pregnancy and postnatal depression. 

Maybe that’s not entirely fair, the first five or so minutes of the show address her stardom on American network sitcom The Middle. Here she recites quotes from her character and gives anecdotes about being mistaken for her own fictional identity in public, and they are by far the weakest segment of the show. There is an overreliance here on being recognised above content, which is a shame when the rest of the hour is so wonderfully put together. 

Her tale of being pregnant with significantly premature twins, and the subsequent birth is gripping and genuinely very funny. The broad facial range required for sitcom acting here gives emphasis to punchlines, lending big laughs to even a single word. The movement of the piece sometimes falls into somewhat cliche one person show physical theatre (this is certainly solo theatre, not stand up), but the emotion behind the piece, and the joy Sher is taking from performing it are obvious. At one point, she apologises to the audience for crying at the wrong moment and, whether staged or not, lends a weight and a feeling of reality to the piece. 

If this all sounds massively worthy, it is not to suggest that this isn’t a massively funny piece. The timing on punchlines, and the occasional surreal turn of phrase are used wonderfully here. This is a show well worth watching, even if you have never seen the sitcom the marketing is based on. 

Eden Sher: I Was On a Sitcom, Gilded Ballon, 8.20pm