Category Star Rating

REVIEW: Sing Street

Reading Time: 2 minutesIn an era when West End productions increasingly rely on film and TV stars to guarantee ticket sales, Sing Street—a beloved film adaptation and Broadway transfer—sounds like another safe bet. Yet, the Lyric Hammersmith’s production crackles with such vitality that it doesn’t just entertain; it ignites. This is theatre at its most alive.

REVIEW: Beyond Broadway

Reading Time: 2 minutesThe Beyond Broadway Experience’s Footloose bursts onto the Festival Theatre stage with youthful energy and striking polish. With performers aged 8 to 25, this ambitious production showcases the next generation of musical theatre talent under the expert guidance of a professional creative team.

REVIEW: The Play’s The Thing

Reading Time: 3 minutesThis three-part play encapsulating the events surrounding a one-woman show at a pub theatre is not only self-aware of its setting in the most delightful of ways; it also becomes a sort of love letter to pub theatre generally that speaks directly and intelligently from a heart that both knows and wishes it well.

REVIEW: A Possibility

Reading Time: 2 minutesA Possibility is a bold new work for the theatre by Dutch artist Germaine Kruip that explores the possibilities—and limitations—of perception, sound, and performance. This is not a play in the traditional sense; rather, it is a sculptural and sonic experience that challenges how we see, hear, and feel.

REVIEW: As You Like It

Reading Time: 3 minutesAs far as accessible and outdoorsy Early Modern comedies go, As You Like It is a pretty intuitive candidate. A split setting between town and woods allows East London Shakespeare Festival to make clever use of not only their parkland surroundings, but also the facade of Clissold House in Stoke Newington – a building whose period brickwork and Victorian austerity all but meld into the show’s own set-pieces.

REVIEW: I Didn’t Know I Was Polish

Reading Time: 2 minutesThis show is a 1 hour love letter to Europe without sycophancy. It explores the notion, so familiar to a lot of us, that we can often feel culturally within and without. What does it mean to be “from” somewhere anyway? It’s like if Agnѐs Varda poppedinto the passport office: bureaucracy, but make it art.